In spite of the global pandemic, the Great Canadian Kilt Skate is back for its eighth season of celebrating Scottish culture with bare knees and ice. And because of the global pandemic, it’s back bigger than ever. Last year, when COVID-19 health protocols closed community events, the Scottish Society of Ottawa (SSO) convened a Zoom meeting of eight kilt skate partners across Canada to discuss options. The seed of an idea was planted: promote small, socially distanced, safely bubbled “micro-skates.” The idea grew to become the “Home Edition.”
From backyard ice, community outdoor rinks, frozen ponds and rivers, and Ottawa’s ever-popular Rideau Canal Skateway, individuals and families sent their photos and videos to the SSO, to be displayed on a website gallery. The number and variety of pictures on the SSO Gallery helped determine which city would be anointed as the Kilt Skate Capital of Canada.
In the end, the honours went to Winnipeg, MB: a triumph that was duly noted in the Manitoba legislature by Dougald Lamont, MLA, who had sent SSO his video of his own Burns Day skate at the Forks of the frozen Red and Assiniboine rivers (watch it on YouTube).
Canadians celebrated their inner Scot
The Home Edition reached places that had never experienced a kilt skate. Without the need to be at a particular place at a particular time for a community event, Canadians celebrated their inner Scot in their own place at a time of their choosing. The Home Edition proved to be so popular that it will continue as a feature of the Great Canadian Kilt Skate this year and likely for years to come. What’s more, the experience of skating in a Home Edition has inspired some Canadians to organize community events for 2022. In addition to the established kilt skate communities of Montreal QB, South Glengarry ON, Ottawa ON, Toronto ON, Fergus ON, Winnipeg MB, Saskatoon SK, Lethbridge AB, and Calgary AB, kilt skates are now planned for, Halifax NS, Glenaladale PEI, Moncton NB, and Midland ON.
After years of endeavouring to promote kilt skates in Canada’s Maritime provinces, where the Scottish roots run very deep, the SSO’s organizers are particularly delighted that the Home Edition seems to have reached Maritimers. In Prince Edward Island, for example, the community kilt skate this winter will be part of the year-long festivities to mark the 250th anniversary of the arrival of PEI’s first Scottish settlers on the brig Alexander in 1772.
This winter, the Great Canadian Kilt Skate has received support from Ontario’s Ministry of Heritage, Sport, Tourism and Culture. With this help, a video is planned that will showcase the highlights of the 2022 kilt skate season. Meanwhile, the kilt skate phenomenon continues to grow south of the border. New York City will host its fourth annual Tartan Kilt Skate NYC, organized by the American Scottish Foundation. There are reports that other Scottish organizations in the USA are considering hosting kilt skates in their cities. You don’t need to be Scottish to kilt skate. You just need a Scottish sense of fun and fortitude. Wear your tartans and don a kilt if you have one. Bring your friends and send your pictures to [email protected]. Let’s add to the Home Edition Gallery the photos and videos of Scottish Banner readers from around the world.
For the first time in more than one thousand years, the Book of Deer, possibly Scotland’s oldest surviving manuscript, will return to the north-east of Scotland in 2022. The community heritage group The Book of Deer Project, based in Aden Country Park in Aberdeenshire, has secured £128,588 from the National Lottery Heritage Fund to bring the 10th century text back to the area where it is believed to have originated and to celebrate its return. It will be on loan from Cambridge University Library, where it has been since 1715, and will be exhibited at Aberdeen Art Gallery in summer 2022, during the Year of Scotland’s Stories.
The Book of Deer is a rare example of a pocket gospel book, and was produced for private use rather than for church services. It contains the oldest surviving example of written Scots Gaelic (it also includes Latin text) in the world within its margins. Plans to celebrate the temporary return of the Book of Deer are well underway and a series of community cultural events will take place in Aberdeen and Aberdeenshire to celebrate the book and its heritage. Parallel events are also being planned in Cambridge. The programme will include a further archaeological dig at the Abbey of Deer in Aberdeenshire, thought to be the site of the early mediaeval monastery where the Book of Deer was annotated with the earliest written Gaelic. This community excavation will take place over ten weeks in summer 2022, the longest excavation yet, hoping to find the Monastery of Deer following 11 years of searching.
Internationally significant
The project will engage with the community and schools in the local area, allowing children, young people and others to be actively involved in the excavation, ensuring the legacy of the book’s loan continues well beyond 2022. Anne Simpson, chair of the Book of Deer Project, said: “We act as the catalyst for renewed interest, research and community engagement surrounding the book in the north-east of Scotland and beyond. The central objective of our project is to celebrate the book and its heritage in a modern context. We’re delighted to ensure the Book of Deer will be accessible to the wider public next summer, fittingly coinciding with the Year of Scotland’s Stories. Artefacts like the Book of Deer, and the 200,000 plus rare books and unique manuscripts the University holds in its own collections, are invaluable in shining a light on our past and how that shapes who we are today so we are looking forward to being part of sharing this knowledge with the wider community.”
Cllr. Anne Stirling, chair of Aberdeenshire Council’s Communities Committee said: “The Book of Deer Project has been working to increase the profile of this internationally significant book for many years, so the award of lottery money to bring it back to the north-east in such a high profile way is fantastic and testament to all the hard work that’s gone in so far. It’s clearly very relevant that it will return to the north-east in the Year of Scotland’s Stories and I’m really looking forward to seeing more details of the cultural programme which will help mark the return of the book and hopefully highlight the existence and importance of this text among many people who may never have heard of it until this point. Just imagine how exciting it would be if the community dig taking place next summer was finally able to identify the site of the Monastery of Deer, adding further to the fascinating story of the Book of Deer and its legacy in the north-east.”
The Monastery of Deer in Aberdeenshire had the historic book, which highlights the early church, culture and society of the period, in its care by 1,000 AD.
The highest honour a city can bestow will be awarded to the Edinburgh Squadron of the Scottish and North Irish Yeomanry (SNIY) following a motion by the Lord Provost and unanimous support at a meeting of the City of Edinburgh Council. The Freedom of the City is Edinburgh’s most prestigious honour and is “bestowed upon those who are held in the highest esteem.” It is a tradition that dates back over 560 years to 1459. The Scottish and North Irish Yeomanry is the Army’s newest combat regiment and is based at Redford Barracks. Entering the Army’s order of battle in 2014, the regiment’s predecessors have a proud history that stretches back hundreds of years. It is formed of four Squadrons: Earl of Carrick’s Own Squadron based in Ayr, North Irish Horse Squadron in Belfast, Fife & Forfar/Scottish Horse based in Cupar Squadron and in Edinburgh the Lothians & Border Yeomanry Squadron.
Edinburgh roots
The latter’s ancestor regiments were formed by Sir Walter Scott and the move to honour the squadron in 2021 marks a further commemoration of the 250th anniversary of his birth. The regiments also protected the Lord Provost on North Bridge, formed the Reconnaissance Unit for the 51st Highland Division at St Valery in 1940 and more recently supported the NHS. Edinburgh’s Lord Provost Frank Ross, said: “The Scottish and North Irish Yeomanry Squadron has become an integral part of this city’s long and proud history. It has a rich history and role in Scotland’s past and at the forefront of the military contribution at home and abroad and has a proud and deep connection within the communities in which we live and serve. With its Edinburgh roots founded by Sir Walter Scott, and in this the 250th anniversary of his birth, it feels particularly fitting to show our pride and gratitude with this lasting tribute.”
Canadian PM and Scotland’s Deputy FM extol Perthshire musician’s ‘astonishing feat’.
After a gruelling nine months on the road which began on the shores of the Pacific Ocean, 32-year Michael Yellowlees from Perthshire and his faithful Alaskan husky dog Luna have finally reached Canada’s Atlantic coast, having trekked right across the vast country for Highlands-based rewilding charity Trees for Life. On Sunday 5 December, throngs of well-wishers gathered at the remote Cape Spear Lighthouse in Newfoundland, while political leaders in Canada and Scotland expressed their admiration for Michael’s heroic venture.
Inspirational adventure
“My best wishes on the successful completion of your incredible walk across Canada, Michael!” declared Prime Minster Justin Trudeau. Noting that Michael has raised $50,000 for the Scottish rewilding charity Trees for Life, Prime Minister Trudeau added: “Michael chose Canada for this mission due to the many Scots who left their homeland generations ago, settled here, and contributed significantly to the fabric of our country. He was also inspired by the many and vast beautiful natural environments Canada continues to enjoy and protect. Despite the challenges faced by the pandemic, I would like to take this opportunity to thank Michael for his inspirational adventure.”
Scotland’s Deputy First Minister John Swinney – who is Michael’s local MSP – said: “I warmly congratulate Michael on the astonishing feat of endurance he has accomplished in support of a cause to which he is devoted. Michael has demonstrated the power of individual action to raise awareness of this vital issue of our day. His commitment to restoring our natural environment is an inspiration to us all. I have had the privilege of knowing Michael and his family for many, many years. He is a shining example of the tenacity and inspiration that his family have brought to all they have done”.
Restore the Scottish Highlands
Michael, a native of Birnam and a former pupil of Breadalbane Academy, has Canadian roots and travelled to the country in 2020. While working with sled dogs before he set off on his journey, he befriended Luna, who would become his constant companion every step of the way. Midway through the journey, Michael was distraught when Luna vanished into the Canadian wilderness. After a week searching high and low, aided by local volunteers, the two were joyfully reunited when Luna suddenly reappeared at his side – having chewed away her lead, which appeared to have become entangled in forest vegetation.
“Apart from that horrible scare, the journey through Canada has been amazing,” says Michael. “And so too have the people. I’ve been marched into towns by pipe bands, applauded by crowds lining the streets, and inundated with offers of food, clothing and shelter. It has also been emotional. The huge population of people of Scottish descent in Canada is partly a consequence of the Highland Clearances, which were accompanied by ecological destruction. Canada is a beautiful land with an abundance of woodland and wildlife. This journey has been about raising awareness and funds to help restore the Scottish Highlands to a flourishing ecosystem as part of our contribution to tackling the twin global emergencies of climate change and biodiversity loss.”
Steve Micklewright, Chief Executive of Trees for Life, expressed the gratitude of the whole charity: “We want to say a huge thank you to Michael for walking across Canada for the last nine months and raising so much money for our work rewilding the Highlands. His achievement has been amazing. His journey is a powerful reminder that rewilding offers hope for tackling the nature and climate emergencies, while benefitting people and local communities.”
Michael was especially pleased to receive a video message from Scottish entertainment legend Elaine C Smith, who took time out from her hectic schedule as a pantomime dame in Cinderella at Glasgow’s Kings Theatre to tell Michael: “You’ve done a wonderful, wonderful, thing. It’s just brilliant.” Michael, naturally, is feeling pretty exhausted and said: “So now I’m looking forward to taking a couple of weeks of rest, decompress, then try and process everything that’s happened because it really has been a magical year and experience.”
Trees for Life is dedicated to rewilding the Scottish Highlands. Its volunteers have established nearly two million native trees at dozens of sites, encouraging wildlife to flourish and helping communities to thrive.
Cardross is a quiet commuter village with a spectacular location on the north bank of the Firth of Clyde, midway between Helensburgh and Dumbarton. It’s a small village yet its railway station has direct services to both Glasgow and Edinburgh. A nearby estate has fascinating links to the history of conflict and colonialism; perhaps there are lessons we can learn at Geilston House. The Geilston Estate lies just to the north-west of Cardross, on the Helensburgh side. The name comes from ‘Gilliestoun’ which means ‘Servants’ Farm’.
It dates back to the 1500s, but the oldest parts of the current Geilston House were built around 1660; it’s believed to have had a thatched roof until the early 1800s. As we’ll see, the house has passed through various ownerships.
It was a Thomas Donald who purchased the estate in 1757. He was one of Glasgow’s ‘tobacco lords’ who made their fortunes from the plantations and whose economic and cultural legacy is troublesome given the role of slavery in the industry (not to mention the health effects of tobacco). From 1769 to 1787 the Moore family rented Geilston from Donald. Dr John Moore had been a military medic during the Seven Years War of 1756-1763. His two sons, Graham and John, would also join the army. John the younger became a major celebrity, serving in America, France, Egypt and Holland, acquiring a knighthood and reaching the rank of Colonel. He was killed in 1809 during the Peninsular Campaign but by then was so revered that Charles Wolfe composed a poem, The Burial of Sir Charles Moore. Graham joined the Royal Navy, was also knighted and reached the rank of Admiral. He lived until 1843, died peacefully, and is buried in the churchyard of Cobham in Surrey, England.
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While people often associate holly with Christmas, there’s a lot more to discover about this diverse group of plants. I’d like to invite you to delve into the world of holly – you never know, you might find one you really like. Holly has long been believed to be a symbol of life and continuity. It has been adopted as an emblem of Christianity – the spiny leaves represent the crown of thorns, the berries signify the blood that was given by Christ as a symbol of salvation. It’s also said that holly will ward off evil and negativity – cutting one to the ground is thought to bring bad luck. Druids once placed holly in their hair and beards to keep away evil. Bringing holly inside to decorate homes at Christmas has been a tradition for many hundreds of years; decorating fir trees, as we do today, didn’t begin until the 1840s. And if you’re ever out in a thunderstorm, a holly bush is considered the safest place to shelter under, as the leaves act like mini lightning conductors and will hopefully prevent you from being hit.
Landscaped beauty
At Threave, the holly collection has been added to since the School of Heritage Gardening (the only Scottish garden dedicated to the training of horticulturists) was gifted the land from the Gordon family in the 1960s. I have a particular fondness for this plant and like to add to the collection whenever possible. The collection currently consists of over 70 different types of holly (Ilex). Some of these are species plants such as Ilex ciliospinosa (Asian holly), others are cultivars, such as Ilex x altaclerensis ‘Ripley Gold’, but they all have a few identifying characteristics. All Ilex have alternate leaves (i.e. they grow alternately up the stem); they are dioecious (male and female flowers are on separate plants), with the berries being produced on female plants; and the berries are toxic to humans. If you’re interested in our holly collection, you should visit Threave in the late autumn/winter to really appreciate these wonderful and interesting plants.
Threave’s wonderful garden has been created over the years by students of the Trust’s School of Heritage Gardening – and is a fine example of landscaped beauty. The garden is divided into a series of smaller gardens to showcase different styles, including a rose garden, rockery and walled garden. At the centre stands Threave House, designed in the Scottish Baronial style in 1871 for the Gordon family. Many of its rooms are displayed as they were in the 1930s.
Since at least 1850, The Kirkwall Ba’ has been a regular sporting fixture in Orkney’s festive calendar. Orcadians don’t indulge in the same Hogmanay celebrations and Christmas Day dinners that take place around the rest of Scotland. Instead, friends and families gather in the town centre to socialise and watch the highly physical matches, which can last an average of 5 hours or more, being played through the historic streets of Kirkwall and is unique to Orcadian culture as Susanne Arbuckle explains.
On the days leading up to Christmas, the sound of hammering reverberates around the historic streets and closes of Kirkwall. The sight of householders and shopkeepers barricading their windows and doorways with heavy-duty timber is a sight likely to fill first-time visitors to the capital of the Orkney Islands with apprehension. For Orcadians, these well-rehearsed annual preparations stir up excited anticipation as they signal the final countdown to The Ba’ season. Since 1850, The Kirkwall Ba’ has been a regular sporting fixture in Orkney’s festive calendar, although its origins date back centuries before that. Games take place twice a year, on Christmas Day and New Year’s Day, between two sides known as ‘Uppies’ and ‘Doonies’. When babies were born at home, the side a player joined was dictated by the side of the town he was born in, either north (Doonies) or south (Uppies) of Kirkwall’s Mercat Cross. With most births now taking place in hospital, players choose their own allegiance, usually guided by family loyalty.
Festive greetings
There are two matches played each day starting with the Boy’s Ba in the morning. Seen as a rite of passage for many Orcadian males under 16, this is generally a smaller and less brutal event than the Men’s Ba’. It is an opportunity for local youngsters to serve their apprenticeship in a game that has often been played by generations of men in their families before them. In the afternoon, as the majority of Scotland sits down to enjoy traditional Christmas celebrations or recover from Hogmanay excesses, hundreds of Orcadians gather in front of the 12th century St Magnus Cathedral for the Men’s Ba’, the main event of the day. For many, The Ba’ is an opportunity to exchange festive greetings with family, friends, neighbours and colleagues, making it as much a social occasion as a sporting spectacle.
As game-time approaches, rival male factions of Uppies and Doonies advance from their respective ends of the town in a uniform of rugby tops and steel toe-capped boots, with several hundred players meeting in the middle ready for battle. Supporters roar encouragement as both sides lock themselves in a tight mass facing the Mercat Cross. The crowd cheers as the 1 pm cathedral bell chimes and a locally handcrafted leather ball, known as the Ba’, is thrown into the baying pack and immediately disappears. What follows is a highly physical and drama-filled game of mass street football that has no real rules and no time limit. Each side attempts to force their way through the historic narrow streets to reach their designated goal at equidistant ends of Kirkwall. For the Uppies, the goal is against an unassuming wall in the south end, for the Doonies, it is in the chilly waters of Kirkwall Bay in the north end. On rare occasions, the game has been won in minutes but most games are played well into the winter darkness, lasting an average of 5 hours or more.
Close to the heart of any Orcadian
Long periods of the scrum making little progress are interspersed with bursts of high drama, excitement, and thunderous stampedes when a player manages to make a break with the Ba’. Although it is termed street football, feet are rarely used, with hands being the preferred means of passing. Often subterfuge is required, with players smuggling the ball out under their jersey. The sheer exertion of the pack generates clouds of steam, while every obstacle – be it a wall, roof, or building, is overcome in relentless pursuit of the goal. The wooden barriers prevent players from being forced through glass windows and doors although accompanying volunteer medics are on hand to treat other inevitable injuries that include men passing out from lack of oxygen to having bones broken in the crush. Veteran participants jostle around the fringes directing the younger players and as the adrenaline rises, some year-long personal grudges are settled with fisticuffs. Onlookers pursue the game as it manoeuvres around the town, sometimes tediously slowly, other times at a surprisingly high pace. Seasoned spectators keep a safe distance, and their exit options open in anticipation of a sudden charge in their direction. Following who has possession of the ball is a challenge for both competitors and bystanders.
As the hours tick by, clothing becomes increasingly ripped and tattered in the mayhem, and friends and family offer up supplies of food and water to boost exhausted players. Other than a pre-match team talk and a good night’s sleep, there is very little preparation before game days, although it is obvious to anyone watching that a high level of fitness is needed to endure the hours of punishing physical activity. Marcus Shearer, a 25-year ‘Doonie’ veteran summed up the experience as “hard” with players needing to be “committed and observant for anything and everything that can happen”.
In the end, one side is eventually victorious and the winning team’s song is chanted loudly through the streets, but the competition doesn’t quite end there. The overall individual winner of the Men’s Ba’ is fiercely debated by his teammates, although only long-term committed players make the shortlist. Once the victor is decided, he is duly hoisted above the singing crowd with his coveted ball in hand. His name is added to the legendary list of Kirkwall Ba’ players and in return for receiving the ultimate honour, he is responsible for hosting the afterparty. The celebrations last many more hours and occasionally they have been known to go on for days. Asked about what it means to those that play in The Ba”, Marcus replied, “It means the world, carrying on a tradition which is close to the heart of any Orcadian” and it is that local pride and passion that continues to attract generation after generation of Kirkwall men and boys prepared to risk life and limb for a leather ball.
Marchmont House. Photo: Mark J Richards/WikimediaCommons.
He’s the birdman of Marchmont. A gamekeeper turned gardener who has enjoyed a lifelong passion for all feathered creatures, domesticated and wild. Shaun Adams has been a key part of the grand restoration of a Grade A listed 18th century Palladian mansion in the Scottish Borders. As well as work on one of the finest arts and crafts interiors in Scotland, there has been a transformation of the 6,500-acre estate at Marchmont, near Greenlaw. The work includes tree planting and other measures to encourage wildlife. Enter Shaun, who became gardener five years ago after three decades as a gamekeeper. In that time his job has evolved from straightforward gardening – including in the magnificent walled garden – to looking after the wild birds and the bees.
Lifelong love of birds
Hugo Burge at Marchmont House. Photography from: Colin Hattersley Photography.
This has built on his own lifelong love of birds – for decades he has kept, and successfully shown, birds and in the garden of his home on the estate he currently has at least 100 hens (including Light Sussex and Modern Game), ducks (including Indian Runners and Muscovy ducks) and geese (Nene or Hawaiian geese). And if any more proof of his passion was needed, his car number plate is B4 HEN. Shaun commented: “I’ve kept poultry all my life, my grandfather and my dad kept poultry. I’ve got all sorts and I used to show poultry as well, but I keep them as a hobby now. It is nice to rear something from an egg and see them right through. Everybody thinks I’m mad because I have all this extra work on top of my job; I’m up first thing in the morning taking the dogs out and doing the chickens. But it’s in my blood, I’ve done it all my life.”
His day job involves looking after 120 bird boxes, as well as a growing number of owl boxes. Shaun continued: “Last year we had 75% with birds in them, mainly the tit family; great tits, coal tits and a few nuthatches and some robins.” Shaun has become an expert in what the owl boxes should be like, working with a charity to get it right. The best, he says, are actually in barns – where the young ones can practice flying from beam to beam. A good box has a platform where the young ones can wander about and look at their new world. But at Marchmont they have more than this. There is now an Owl Temple – like an Ancient Greek temple to Athena – which is set on a tall carved pillar. It has been created by the renowned stone carver and sculptor Michelle de Bruin who has a studio nearby as part of Marchmont’s Creative Spaces which encourages the creative arts.
It was Hugo Burge, who, with his father, is behind the restoration project, that had the idea for the “rather spectacular” owl temple in the walled garden. He said: “I have spent some heavenly evenings watching barn owls scouring and floating across the landscape, some very precious and special interactions that strike to one’s core. I thought it would be extraordinary if we were able to encourage a barn owl into the walled garden. Gardening is new to me and what I love doing is closing my eyes and dreaming of what the landscape will look like in 20, 50 or 100 years. We have a new topiary avenue down the centre of the walled garden – it was a dream to imagine a barn owl flying down that little avenue through the mist one morning or late one evening.”
Relationship between arts, nature and humanity
Marchmont House Gardeners. From left are: Shaun Adams, Charlie Alder- Bateman and David McColm. Photo: Colin Hattersley Photography.
The initial idea was a wooden temple but that blew over and broke. So, Hugh brought in Michelle. Hugh said: “I started to discuss whether it was an excessively potty idea to think about carving one out of stone and we both got more and more excited about it. The result is the extraordinary work she has created which I find a bit mind-blowing.- it is a wonderful symbol for craftmanship, something that is incredibly grand which we will hope will last for hundreds of years and something that really supports nature in a very beautiful way. It is something I am extremely proud of; it has been an unexpected journey and it still takes my breath away when I see it – bringing together the sensibilities of what we are doing at Marchmont.” Hugo describes taking on the renovation of Marchmont as “daunting” but at the same time he entered into it with pleasure, enthusing about the “relationship between arts, nature and humanity”. Hugh continued: “Everything about Marchmont is a celebration of creativity and that is a subject close to my heart. In a strange kind of way, if you look back to the 18th century, although the buildings were a great demonstration of building prowess, elegance, and grandeur, often they feel very comfortable in the landscape and the environment. There is a sensibility to nature and a sense of awe and closeness to nature – it is an unusual balance that seems to work.”
Shaun’s introduction to gardening growing up in the 1960s in Annitsford, North Tyneside was less grand, but just as passionate. He said: “My dad kept an allotment, so I was brought up growing veg and in the garden my dad had chickens. I’m over the top with my garden, hanging baskets on the kennels. I just like to keep the place tidy.” Ever keen to embrace a challenge, Shaun is now looking after a quarter of a million bees in hives the estate brought in to improve biodiversity. He said: “That was totally new … it is unbelievable how much there is to learn about, they are a marvellous little insect.”
Shaun went on a beekeeping course and had a mentor for a year, and now produces dozens of jars of honey each year. Hugo said: “We don’t get enough honey to sell it. Really it is a treasure and a treat for myself, my family and occasional lucky friends. And Shaun gets some too. Hugh continued: “It (keeping bees) felt like a very natural thing to be drawn to … a small way in which we could help to create a sense of balance at Marchmont between our human needs and requirements and the natural environment. And it is hard not to be swept up by the concerns around declining bee populations; having taken some interest in this it is very alarming, and it felt like something we could do in a practical, small way to support the bee environment and the eco-system at Marchmont.” And he is full of praise for Shaun: “He is passionate about nature and the collections of his own ducks and geese which he nurtures with pride. He also took up the challenge of beekeeping with enormous relish. He has a wonderful hands-on expertise with nature.”
Arbikie Highland Estate is a 400-year-old family farming business based on Scotland’s sunny east coast. In 2014, the Stirling brothers opened the Arbikie Distillery on the Estate with a plan to combine the best of farming and traditional distilling with innovation. Over the last few years, it has become clear that the focus is to make Arbikie one of the world’s most sustainable distilleries.
The Stirling brothers.
When the Stirling brothers set up Arbikie Distillery on their family farm on Scotland’s east coast in 2014, their plan was to combine the best of farming and traditional distilling with innovation. Over the last few years, it has become very clear to them and all the Arbikie team that their focus is to make Arbikie one of the world’s most sustainable distilleries.
Arbikie have a clear mission to become the global leader in a new category of single-estate, sustainable spirits. They were not satisfied with carbon-neutral, so they focused on distilling the world’s first climate-positive spirits. They achieved that goal with the launch of their climate positive, Nàdar Gin in early 2020. The brothers continue to set ambitious goals, but ones rooted in the commercial reality of building a business that retains family ownership, whilst also celebrating their family’s over 400-year farming heritage. The Stirling’s are building a long term, legacy business and so commerciality, balanced with sustainable considerations are at the forefront of their planning.
A zero-carbon distillery
Wheat.
Their six-year sustainable journey has been one of ongoing collaboration with partners, including the James Hutton Institute and Abertay University. Arbikie are a rare, field to bottle distiller as they grow what they need to distil on their own farms, whether barley, wheat, potatoes, peas and chillies, or botanicals like juniper, coriander, lemongrass, and limes. They have pioneered field to bottle distilling across a range of spirits, including gin and whisky, as this fits with their circular economy approach to minimising their environmental impact. The brothers are the latest custodians of the family farms and so are mindful to pass on a business with a
positive legacy to the next generation. They have adopted regenerative farming practices, minimising chemical inputs and are reviving heritage barley varieties; not only increasing crop diversity on the farm, but promoting regional differences and reviving traditional flavours in the resultant single malt whiskies.
Arbikie uses science to unlock distilling conundrums such as with Master Distiller, Kirsty Black distilling the world’s first climate- positive spirits as her PHD. Nàdar Gin was launched in 2020 following years of endeavour by Kirsty and partners, Dr Pete Iannetta at the James Hutton & Professor Graeme Walker at Abertay University
Distilled from peas, Nàdar is carbon-negative, avoiding the release of 1.54Kg of CO2 into the atmosphere. The aim is to deliver a zero-carbon distillery which can be replicated across the distillation industry and highlight the opportunities for the acceleration of the hydrogen economy. The Stirling brothers and the Arbikie team realise they are on a journey, with lots still to do, but their journey to Net Zero and beyond will be greatly helped by world leaders focusing on our climate change challenges at the recent COP26 in Glasgow, and beyond to COP27 in Africa.
Arbikie is involved in a number of climate-related projects, from partnering with ecoSPIRITS to remove single-use glass bottles from their supply chain, to implementing hydrogen as part of the UK Government’s Green Distillery competition. The aim is to deliver a zero-carbon distillery which can be replicated across the distillation industry and highlight the opportunities for the acceleration of the hydrogen economy. Arbikie will be opening our new Distillery Experience in Arbroath in April 2022 allowing visitors to come and experience what they do first-hand.
Stunning Logan Botanic Garden near Stranraer, one of the four sites of the Royal Botanic Garden Edinburgh (RBGE), has been voted Best in the UK in a recent consumer survey. The sub-tropical garden, home to some of the world’s rarest plants, scored a colossal 93 per cent satisfaction rating, achieving the maximum mark of five stars in every category, as voted by readers of a leading consumer magazine.
While Logan was crowned top garden, it was a day of celebration at all four of Scotland’s national botanic gardens as Dawyck in the Borders, Benmore near Dunoon in Argyll and the main Edinburgh site were all ranked within the UK’s top ten gardens.
Incredibly special
Logan Botanic Garden.
Richard Baines, Curator of Logan Botanic Garden, commented: “Logan is an incredibly special Garden and we are delighted to be recognised as such by visitors and voted best in the UK. The warm climate makes it Paradise for plant lovers and our visitors are always surprised to see some of the more exotic palm trees, Gunnera manicata – the giant ‘rhubarb’, tree ferns and eucalyptus thriving so resplendently outdoors in Scotland. Of course, our most tender plants wouldn’t survive a Scottish winter, so we safeguard species such as our pelargonium collection from South Africa in our Victorian-style conservatory. It’s also the first public conservatory in the UK to be powered by green energy. As well as thousands of spectacular species of unusual plants, which underline our existence as a research and conservation institute, we offer visitors fine catering from the Potting Shed Bistro and our Studio exhibition space displays artwork from local, national and international artists. Watch out also for our magnificent dinosaur sculpture, Loganosaurus Rex, hiding within the tree ferns.”
Logan Botanic Garden is located by Port Logan near Stranraer in the south-west of Scotland. As well as being a popular visitor attraction, its collection of plants constitutes part of the Royal Botanic Garden Edinburgh’s Living Collection of rare and endangered plants. Many of the species are threatened in the wild or are not yet known to science. Among them, Logan’s dedicated team of horticulturists nurture plants which are growing from seeds collected during expeditions to Vietnam – one of which, Rhododendron tephropeploides, has only recently been identified as new to science.
World’s pre-eminent botanical gardens
Logan Botanic Garden.
With a score of 89 per cent, Dawyck Botanic Garden near Peebles, famed for its awe-inspiring trees and year-round colour, was ranked joint second in the UK. Sister Garden at Benmore, in Argyll, was in joint third place with 88 per cent, impressing visitors with its towering Avenue of magnificent giant redwood trees (Sequoiadendron giganteum) and wild, mountain background. The main Edinburgh site, located in the north of the city, scored an impressive 86 per cent. With over 70 acres of spectacular landscapes, the Garden dates from 1670 and is one of the world’s pre-eminent botanical gardens.
Richard Baines reflected: “At Logan, we never stand still – we are always developing the Garden, ensuring that there is something of interest to everyone. As part of our core activity, we have a mission to engage the wider world with the work of RBGE and our fragile planet. We look forward to welcoming new and return visitors to our beautiful Garden.”
Logan Botanic Garden dates from 1869 and acceded to the Royal Botanic Garden Edinburgh in 1969. Located on the south-western tip of Scotland and warmed by the Gulf Stream, Logan enjoys an almost subtropical climate, with spectacular and colourful arrays of species from the southern hemisphere. Dawyck Botanic Garden is located near Peebles in the Scottish Borders and is home to some of Scotland’s oldest and tallest trees including Douglas firs and giant sierra redwoods. In early Summer, it is ablaze with azaleas and Himalayan blue poppies, with a riot of Autumnal colour later in the year. Benmore Botanic Garden is located near Dunoon in Argyll and is set within 120 acres of mountain landscape. Loved for its welcoming avenue of 150-year-old towering redwood trees, Benmore is also renowned for over 300 species of rhododendrons and spectacular views over the Holy Loch. The Royal Botanic Garden Edinburgh is a leading international research organisation delivering knowledge, education, and plant conservation action around the world. In Scotland, its four Gardens at Edinburgh, Benmore, Dawyck and Logan attract more than a million visitors each year.
The RBGE mission is to explore, conserve and explain the world of plants for a better future. For more information see: www.rbge.org.uk
The 15th annual Balmoral Classic, featuring the US Junior Solo Piping & Drumming Championships, took place in November with piobaireachd contests streaming via YouTube. This was the second Balmoral Classic that was online, remote and virtual. Scheduling and logistics were intensive and very competently organized and executed by Sean Patrick Regan, Program Coordinator; Leslie Clark, Balmoral’s Associate Director; Elaine Lee, Marketing Director; & Arthur McAra, Master of Ceremonies. Clark and Regan also served respectively as Registrar and Chief Steward for the Classic.
Fifteen pipers were invited to participate in the contest: eleven from six US states and four from Canada. Six drummers were invited to compete in the contest: five from the US, and one from Scotland. Competitors submitted one video for each of two events in their discipline: an MSR and Piobaireachd for pipers, and an MSR and Hornpipe & Jig for snare drummers. The panel of judges was truly international this year, with judges from the United States, Scotland, Ireland, Canada and Australia.
Piping
The Overall piping winner was Cameron Bonar of Surrey, British Columbia, Canada, who took first place in both the MSR and the Piobaireachd. As Overall Winner he won a set of blackwood Duncan MacRae Bagpipes donated by McCallum Bagpipes, and the Ralph and Patricia Murray award for a full scholarship at the 2022 Balmoral Summer session. Cameron also won the E.W. Littlefield, Jr.
Award for the MSR event and a Piper’s Choice set of smallpipes donated by Scott’s Highland Services of London, Ontario and the Balmoral Award for the Piobaireachd event and five tutorial bundles from Murray Henderson Piobaireachd Studio. Prizes for 2nd to 5th place pipers included a handcrafted blackwood “MAC 1” pipe chanter donated by MacLellan Bagpipes, an Antique Thistle Faux Seal Sporran donated by Celtic Croft, a Gift Certificate for pipetunes.ca donated by McGillivray Piping Inc., and additional prizes. The 2nd to 5th place Overall Winners receive tuition for one week at the 2022 Balmoral School summer session.
Drumming
The Overall drumming winner, Sebastien Arguelles, from Houston, Texas, USA, also took first place in both drumming contests. He was awarded an Axial “Silver Sparkle” Snare Drum donated by Henderson Imports of Traverse City, Michigan, the David Peet Memorial Award for the Overall Winner, and the Henry Matthews Scholarship for one week’s full scholarship at the 2022 Balmoral Summer session. Sebastian also won the St. Andrew’s Society of Pittsburgh Award for his first in the MSR and The Pittsburgh Firefighters Memorial Pipe Band Award his first in the Hornpipe & Jig. The 2nd to 6th place Overall Winners receive tuition for one week at the 2022 Balmoral School summer session.
After the Saturday contests, there was a Live via Zoom awards ceremony, attended by the competitors, their families, our judges and staff, and Classic supporters. After a break, they were treated to an outstanding concert with Scottish fiddle virtuoso Alasdair Fraser, and renowned cellist, Natalie Haas. Calvary United Methodist Church with its amazing collection of Tiffany stained glass windows, surrounded the audience with special ambiance for the in-person event, which was also live-streamed.
Gunnedah Shire Mayor Jamie Chaffey has congratulated weavers Fred and Marie Lawson on their officially registered The Koala Tartan, the first of its kind worldwide. Cr Chaffey, as Mayor of the Koala Capital of the World, attended the Cutting-off the Loom ceremony at The Crofters Weaving Mill at Spring Ridge recently, cutting the first weave of the new tartan. Cr Chaffey said: “It’s an honour to be here in this beautiful part of the world, where the very talented Lawsons have created another masterpiece – an officially registered tartan that celebrates our national icon – the koala. Gunnedah is known as the Koala Capital of the World, and Council is working towards helping the conservation of the koala in this region through our planned Koala Sanctuary and Hospital. The Lawson’s tartan is a wonderful tribute to this much-loved animal. The Koala Tartan, registered through The Scottish Register of Tartans, is now recognised worldwide as the pattern that represents the koala.”
The Koala Tartan is the work of Weaver to the Queen Fred Lawson and his sister Marie Lawson, who originally learnt to weave at a Gunnedah TAFE course more than 20 years ago. Since that time, the Lawsons have successfully designed and created about 10 registered tartans, using only natural materials which are often dyed at their property. As well as designing tartans for the Australian Heritage Tartan, the Australian Heavy Horse Tartan and many other designs, Fred was commissioned to weave a Victorian State tartan for the Queen as a gift after the Victorian bushfires. Marie Lawson says they have had The Koala Tartan in mind for some years, but were waiting for the right blend of colours. “You start with an idea and then come up with a colour set – the number of colour threads and the sequence,” Marie says. “You make a quick sample from the closest colours you have to see how it is balanced. Once you have worked on that, you do another sample weave. You can see how it looks on the computer, but it is totally different once it has been woven. We went through three weaves before we came up with The Koala Tartan.”
Hand-woven
Fred at the loom.
A sample was sent to The Scottish Register of Tartans where it went through the stringent approval process that includes ensuring the design is not too close to royal tartans and meets certain standards. It is also recommended the tartan is put on public view. The Koala Tartan was on display at the Liverpool Plains Military Tattoo where it met with public approval. The tartan was approved by The Scottish Register of Tartans, but the original name – The Australian Koala Tartan – was knocked back, so the Lawson’s second choice of The Koala Tartan was submitted and approved. The Lawsons will now work towards a range of products including scarves, silk scarves, shawls, mohair rugs, knee rugs and ties, woven in the distinctive The Koala Tartan. Each piece is individually hand-woven from natural materials. “The tartan has turned out absolutely beautifully,” Marie says. “Everything just blended so well together.”
About The Koala Tartan colours: Dark and light grey: the majority koala coat colour. White: for the speckles or patches on the rump and chest area and inside ears. Black: for the nose. Pink: for the skin colour around the nose and mouth. Dark brown: for their eyes. Green: for eucalyptus leaves which is their main diet and dwelling tree.
Main photo: Marie Lawson, Gunnedah Mayor Jamie Chaffey and Fred Lawson with the new Koala Tartan.
Scotland’s answer to the New York Highline has been unveiled at Bowling Harbour in West Dunbartonshire with the transformation of a disused railway viaduct into a state-of-the-art linear park and walking, wheeling and cycling route at the western gateway to the Lowland canals. The Bowline, the jewel in the crown of a £10m regeneration programme at Bowling Harbour, connects the Forth & Clyde Canal towpath to the wider National Cycle Network (NCN), providing virtually uninterrupted off-road access from Glasgow to Loch Lomond & The Trossachs National Park.
The fully accessible linear park boasts breath-taking views over the historic canal to the River Clyde and beyond. A new, high-quality access ramp has also been installed, allowing everyone walking, wheeling and cycling to access the National Cycle Network route for everyday and leisure journeys. The latest addition to National Cycle Network Route 7 means everyone, regardless of age or ability, can walk, wheel or cycle between Loch Lomond, Dumbarton and Glasgow on a virtually traffic-free route.
The Bowline marks a new era
The harbour will benefit from the growing number of people choosing to walk, wheel and cycle across the nation, as more people give up the car and take to active travel. Catherine Topley, CEO at Scottish Canals said: “The opening of The Bowline marks a new era for Bowling Harbour, one built upon sustainability that everyone can enjoy. Active travellers making their way along National Cycle Network Route 7 can now take full advantage of the harbour’s regeneration. Our renovated railway arches host a variety of local businesses transforming the area into a hub of activity, creating new jobs and opportunities. It’s a special destination and one that is well worth a visit.”
The investment in Bowling Harbour will not only promote tourism, help tackle health inequalities and fight climate change by promoting carbon neutral travel, but act as a catalyst for further investment around the area.
Stunning new reconstructions have revealed how Scotland’s largest known Pictish fort may have looked over one thousand years ago. Three-dimensional images of Burghead in Moray have been created based on archaeological excavations by the University of Aberdeen. Funded by Historic Environment Scotland as part of a wider video project to enable the public to learn more about Scotland’s Pictish past, the images showcase the enormous defensive ramparts, which were once thought to be eight metres thick and six metres high, as well as dwellings within the fort. It has long been known that Burghead was home to a Pictish settlement, but it was thought that the 19th century development of the modern town had eroded most traces of this important period of its history. The landward ramparts were levelled, and part of the seaward defences was destroyed in order to build the modern harbour.
More than 30 Pictish carved stones were discovered during this destruction of the fort but just six carved bulls have survived along with a number of fragments of early Christian sculpture. When University of Aberdeen archaeologists first began excavations there in 2015, they expected little to have survived such extensive building work close by. But over the last five years, a very different picture has emerged and the digs, led by the University’s Professor Gordon Noble have yielded some of the most significant Pictish items and building remains ever uncovered. It is this work which has enabled such a detailed reconstruction of how the site may have looked. Professor Noble said: “The scale of houses and buildings we have discovered evidence of show that this was a densely populated and important Pictish site. We have found many objects which have helped us to learn more about the everyday lives of Burghead’s inhabitants between the 6th and 10th centuries AD. From metalworking to weaponry and even hair and dress pins, with each new dig we are finding out more about our ancestors who lived here. The foundations of the huge ramparts have survived far better than anyone anticipated, despite their wilful destruction over the centuries and the midden layers, which is effectively where the Picts threw their rubbish, have provided startling insights into the lives of the Picts to the archaeologists. It wonderful to see the work of our excavations spanning more than five years brought together in these stunning reconstructions which offer an amazing insight into how Burghead may have looked”
Early Medieval Scotland
The reconstructions also include a spectacular well enveloped in the ramparts. Elements of this can still be seen today and the archaeologists have pieced together how this fitted with dwellings and other buildings across the site. Evidence of early Christian occupation was also uncovered in previous excavations, supporting theories that a chapel once stood at the entrance to the site, and this has been translated into the 3-D design. The fort at Burghead was destroyed by fire in the 10th century – a time when Vikings are known to have been raiding the Moray coastline – bringing to a rapid end a way of life which had endured for centuries. The fort then remained unoccupied until around the 12th century.
Dr Kevin Grant, Archaeology Manager of Historic Environment Scotland said: “Burghead fort was one of the most important places in Early Medieval Scotland and was built to be dramatic and imposing. These reconstructions help us imagine experiencing this spectacular site in its hey-day. We are also delighted to support these excavations, which are transforming our understanding of Pictish Scotland and saving important archaeological remains from being lost to the waves.” Dr Watterson added: “Burghead has certainly been one of our most challenging projects to date. Not only has it been one of the largest sites I have reconstructed, but in order to model its full extent we had to completely remodel the landscape to remove the modern town and rebuild the eroded cliffs. Working in visualisation and outreach involves blending interpretation and research with compelling visual storytelling. For our team, capturing a sense of place for Burghead was particularly important. Its dramatic location on the Moray coast is key not only to its archaeological interpretation but also what makes it such a special place to visit today.”
Additional funding from Historic Environment Scotland is supporting additional excavations at the site which it is hoped will further understanding of how those who lived at the site connected to the wider world.
Photo: Reconstruction of Burghead. Images courtesy of the University of Aberdeen.
The overall champion of the prestigious Glenfiddich Piping Championship has been named as Canadian piper Jack Lee from British Columbia. Third time overall champion Jack Lee went up against nine of the world’s greatest solo players at the renowned 48th annual competition at Blair Castle to claim the title. The Silver Chanter 2021 winner Angus MacColl of Oban was crowned runner-up and 2019 title holder Finlay Johnston of Glasgow was third overall and the Piobaireachd winner. The MSR competition winner was William McCallum of Bearsden.
Jack Lee impressed with his playing of the Piobaireachd and March, Strathspey and Reel disciplines, taking second in the Piobaireachd and third in the MSR to come out on top as the overall Championship winner. The competition was played out in front of a live audience in Blair Castle’s Victorian ballroom and hundreds from around the world who watched the spectacle online. Overall Winner, Jack Lee, said: “It’s an absolute honour to be standing here with The Glenfiddich trophy. This is the third time I’ve had this and I can tell you it’s a very sweet day.”
Solo piping’s ultimate prize
Blair Castle.
The National Piping Centre’s Director of Piping, Finlay MacDonald, said: “The Glenfiddich is solo piping’s ultimate prize and this year’s competition yet again set the bar for world-class piping. I would like to extend my warm congratulations to our new champion and to all of the competitors for their excellent performances. We’re delighted to see another successful year of celebratory competition at The Glenfiddich and to welcome people to the magnificent Blair Castle once again, while also connecting with hundreds watching at home from around the world. We look forward to the event going from strength to strength in the years to come.”
Competitors, travelled from near and far to take part, including 2020 champion Stuart Liddell, Dollar’s Callum Beaumont, five-time champion Roderick Macleod MBE, William McCallum of Bearsden, Edinburgh’s Iain Speirs, Glasgow-based Canadian piper Glenn Brown and Connor Sinclair of Crieff. This year, participants were selected from the two qualifying events that took place, with Stuart Liddell as the 2020 champion and Callum Beaumont as the overall winner of the Piping Live! Masters Competition. The other competitors were chosen based on previous achievements at the Glenfiddich Piping Championship.
The Glenfiddich Piping Championship was established in 1974 to inspire the world’s finest exponents of Ceòl Mòr or Piobaireachd (the great music) and Ceòl Beag or light music (the little music). Run by The National Piping Centre, the world centre for excellence in bagpipe music, and funded through the William Grant Foundation, the event is held annually at Blair Castle in Blair Atholl, Perthshire.
The St. Andrew’s Society of Toronto is celebrating its 185th anniversary in 2021. The organization has been promoting Scottish culture and supporting local charities since 1836. Canada would not become a country until 1867 which makes the Society older than the country it calls home! Scots have been leaving their homeland for many generations in search of adventure and economic opportunities. As a result, over 50 million people around the globe have Scottish ancestry including 4.8 million Canadians. These numbers are especially remarkable when we consider that the current population of Scotland is only 5.5 million.
A cultural society often followed whenever a number of Scots ended up in one place. Saint Andrew, as patron saint of Scotland, was a common symbol to rally around. St. Andrew’s Day (November 30) became the annual date to gather and dine on traditional fare. After the meal, which would almost always include haggis, there would be a series of toasts, songs and music.
Founded in 1836
The Mount Pleasant Cemetery Cairn.
St. Andrew’s Societies were established in dozens of cities on six continents. Although they all operated independently, there were some informal connections among them. The first meeting of the St. Andrew’s Society of Toronto was in 1836. The young city had changed its name from York only two years earlier. It had roughly 10,000 citizens but was growing quickly. While many immigrants found success in their new home, others struggled with unemployment, homelessness, and food insecurity. Present day Canada has multiple institutions focused on helping people overcome poverty. But since few of these programs existed in the 1830s, it often fell to cultural groups to look after their own. Several of Toronto’s most prominent Scots got together and agreed to form a committee to assist their compatriots who had fallen on hard times. It was determined that the focus would be on those who were newly arrived.
Officers were elected and managers assigned to assist those in need. They focused on finding their compatriots work, a place to live and making sure that families didn’t go hungry. Although the lives of many were improved, times were hard, and death lurked around every corner. Whether it was poverty, illness, or misfortune, many would never see the shores of Scotland again.
The St. Andrew’s Society of Toronto purchased a large burial plot in Mount Pleasant Cemetery in 1886. The intent was that Scots who died in Toronto without resources would be buried in “a small piece of Scotland.” An official dedication came in 1891 along with a cairn. Members in good standing can still apply to be buried in Mount Pleasant.
The 48th Highlanders of Canada.
The connection between The St. Andrew’s Society and the 48th Highlanders of Canada dates back to the late 1800s. A group of local Scottish cultural organizations came together to raise funds and lobby the government to form the province’s first kilted regiment. Despite being rebuffed on their initial requests, the group persevered and achieved their goal. The relationship between the Society and the 48th has remained close since the battalion’s inception in 1891. The organizations have co-hosted the St. Andrew’s Charity Ball for many years with the regiment’s Pipes & Drums a focus of the evening’s entertainment.
Celebrating Scotland in Toronto
Kilt Skate Toronto.
Scottish music, cuisine and whisky are showcased at events throughout the year. A Learn to Curl Social is one of the Society’s most popular get togethers. Attendees include many recent Scottish immigrants who are eager to learn a game that was born in Scotland and beloved in Canada. Canadians of Scottish heritage will continue to play a key role in the future of Toronto. According to the 2016 national census, 256,255 Torontonians claimed Scottish ancestry (roughly 9% of the city’s 2.7 million inhabitants). Among the city’s ethnic origin populations, only the Chinese (332,825), English (331,895) and Irish (262,965) registered larger numbers.
The modern Society has remained true to the benevolent goals of its founders. Funds are raised for local charities through memberships, donations and events that showcase Scottish-Canadian culture. These experiences range from dance lessons to pub nights and formal affairs like the St. Andrew’s Charity Ball. Everyone is welcome to attend events or become a member. It doesn’t matter whether they were born in Scotland, have Scottish ancestors or are just looking to meet some great people.
Over $1 million has been donated in the past 15 years through the St. Andrew’s Charitable Foundation. These grants benefit newcomers from all nations and focus on the challenges that early Scottish immigrants would have faced – families at risk, public health, homelessness and food insecurity. The Society still welcomes newly arrived Scots with open arms. They are introduced at various get togethers and brought to key events around the city.
Every December, members sign up to support the Society for another year. Members receive partner discounts and the opportunity to buy tickets before the public for most events. Their fees help the Society sponsor Highland Dance troupes, Celtic musicians and others working to keep Scottish-Canadian culture alive. These funds also support bursaries for post-secondary students focused on Scottish studies.
The St. Andrew’s Society of Toronto is still going strong after 185 years. Those interested in getting involved can find out more on the Society’s website at www.standrewstoronto.ca
Scottish singer Susan Boyle rose to international fame in 2009 when she stepped out onto a Glasgow stage and appeared on Britain’s Got Talent. The West Lothian natives debut album I Dreamed A Dream became the UK’s biggest-selling debut album and Susan has gone on to sell over 25 million albums globally. Neil Drysdale spoke to Susan on her incredible rise to fame, her love of Scotland and how she has been getting on since the pandemic began.
Life has ground to a halt for everybody in the last two years and Covid has cast a dark cloud over the arts and entertainment industry. Yet, even as singers and musicians have been forced to find new ways of working, they’ve quickly become used to the world of “virtual” concerts and recording sessions.
Susan Boyle is no exception to this brave new Zoom routine, even if she admits it caused her problems at the outset in 2020. But the 60-year-old artist hasn’t been idle during the pandemic and is relishing getting back on the road in the New Year. Susan told the Scottish Banner: “Unfortunately, I haven’t been able to perform or do any concerts. My tour in March 2020 just finished before the world shut down. I’ve still been practicing with my vocal coach, Chris Judge, to keep my singing voice active. To begin with, we would practice over Zoom or Facetime. He’d be at his house and I’d be at mine. Technology, eh – it’s fantastic. But now that restrictions have eased, we can meet and sing in person again, which is great.”
I Dreamed a Dream
Photo: Joel Anderson.
Susan Boyle is a resilient character who was the pivotal figure in what remains one of the genuinely jaw-dropping episodes in 21st entertainment; the moment Susan shocked the judges and audience on Britain’s Got Talent (BGT) when she began to sing I Dreamed A Dream. Even now, more than a decade later, she appreciates there was something about her emergence which was similar to the script of the film A Star is Born. At school, growing up in the 1970s, Miss Boyle was a painfully shy youngster, somebody who far preferred being the face in the choir to a look-at-me prima donna. In those days, the idea of her taking centre stage on a reality TV show and singing in front of millions – and then, via YouTube, hundreds of millions of people, and subsequently performing for the Pope and The Queen would have seemed preposterous.
But there again, she wasn’t just putting herself on parade for the Britain’s Got Talent brigade. On the contrary, Ms Boyle says she was paving an escape from the days where she used to struggle to pay the household bills. She told me: “In some ways, life has changed dramatically. Financially, life has moved on from the days when I was unable to afford the gas and electric, to knowing nowadays that I won’t be sitting in the dark again fretting about how I am going to heat the house or keep the lights on. I am still grounded, though. I live in the same family home (in Blackburn in West Lothian) and I don’t need a flashy big house with gates. I have got the same people around me that I always have, and there are wonderful neighbours who look out for me and they would give you the shirt off their back. So, in that respect, life hasn’t changed. I know I have been incredibly lucky to keep such a wonderful balance, to be able to continue my normal life, going to Tesco’s, living in the same house I grew up in and taking the bus. But these are all things I don’t take for granted. It was a conscious decision to try and keep my normal and known way of life just the same.”
There’s a pinch-me quality about her comments which remind you of a star-struck youngster who has seen all her Christmases come at once. Susan said: “There were a few people who helped out in the early days, who have been childhood friends and are still friends to this day. My family were the ones who were so supportive and pushed me to do something more with my life and my mother, in particular, was the driving force who made me promise I would do something with my voice and my life. I started singing as a young girl in school and then joined the church choir and auditioned on a few other TV shows, but it was the support of friends and family who gave me the courage and confidence to try. That said, never in my wildest dreams when I stood on the Britain’s Got Talent stage did I think for a second that, more than 10 years on, I’d still be performing and making albums. I thought it was all over on the night of the BGT final.”
Proud to be Scottish
Scottish singing sensation Susan Boyle. Photo: Syco Entertainment/Nicky Johnston.
Her journey has been a whirlwind series of tales of the unexpected. She never remotely believed when she was “sneaking off from school to watch an Osmond’s concert” that she would eventually meet and record a duet with Donny Osmond. But it taught her another lesson which she regards as crucial. She added: “Meeting and performing with him was something else and he was the nicest and kindest man. They sometimes say: ‘Don’t meet your heroes’, but I can honestly tell you he exceeded my expectations and it was unforgettable. I know I have been fortunate, and I am also incredibly proud to be Scottish, and would never consider leaving or living anywhere else in the world. We have everything in Scotland and more. The best people in the world, the kindest and a real sense of community. We have a beautiful country, and while it may be nice to go off and visit other places, there truly is no place like home. I try to have a glass-half-full attitude and while life always has its ups and downs, there really are not many negatives about living in Scotland. We are very lucky.”
As she casts her gaze forward, Susan told me of her hopes for the New Year after being out of the public gaze for too long. Susan continued: “I am really looking forward to 2022 and the exciting things which are being lined up, which are a surprise, but I promise are exciting. I also hope, like everybody else, that life gets back to some semblance of normality. And I’d like to wish my fans a Happy New Year. May 2022 be a better year for us all and I wish you all a year of health, happiness and your dreams coming true.” Even now, Susan has that down-to-earth approach and sense of wonder in her voice. Susan is also a big fan of Adele’s new single and said: “She’s so incredibly talented and I admire her bravery for bearing her heartbreak and creating stunning lyrics.”
Let’s hope we are treated to some new music from Susan as we move out of an awfully long winter.
Stirling has been named among eight areas longlisted for UK City of Culture 2025, unveiled by Culture Secretary Nadine Dorries. Stirling is the only Scottish city to make the cut as eight cities have been nominated for the prestigious UK City of Culture title, with the winner set to be announced next year. Following a record 20 bids, the eight longlisted locations are Armagh City, Banbridge and Craigavon, Bradford, Cornwall, County Durham, Derby, Southampton, Stirling and Wrexham County Borough. Winning the prestigious title has enormous benefits with previous hosts attracting millions of pounds in additional investment, creating jobs and attracting thousands of visitors to their local area. The places will now work with a panel of experts and the Department for Digital, Culture, Media and Sport (DCMS) to finalise their bids before the shortlist is announced early next year.
UK Culture Secretary Nadine Dorries said: “Winning the UK City of Culture competition has a hugely positive impact on an area, driving investment, creating jobs, and highlighting that culture is for everyone, regardless of their background. This year’s focus is on levelling up access to culture across the country and making sure there is a legacy that continues for generations to come. I look forward to seeing what this brilliant longlist has in store as they continue in the competition.”
Fascinating history and vibrant creative scene
All bids were asked to explain how they would use culture to grow and strengthen their local area, as well as how they would use culture to recover from the impact of the Covid-19 pandemic. For the first time, this year each longlisted place will receive £40,000 to support the development of their promising proposals. The winner will be announced in spring 2022 and will follow Coventry’s tenure as UK City of Culture 2021 to take the lead on culture in the UK in 2025. Previous winners Hull and Derry-Londonderry have shown how the competition can deliver greater and long-lasting cultural participation, economic regeneration and local pride, whilst Coventry City of Culture 2021 is already providing a blueprint for how culture can be at the heart of social and economic recovery.
UK Government Minister for Scotland Iain Stewart said: “I’m particularly pleased that Stirling is in the running for this prestigious award. With its fascinating history and vibrant creative scene, it’s a strong contender for the title. The list of cities announced is testament to the outstanding creativity and culture across the UK. I look forward to seeing proposals develop as Stirling strives to bring the UK City of Culture to Scotland for the first time.”
I’m about to describe one of my favourite spots in Scotland, a restored ruin in a peaceful spot of great beauty in Perthshire. But before I let slip the secret, a bit of history. Blair Atholl is a handsome estate village that originally served the Dukes of Atholl at nearby Blair Castle, but now caters mainly for tourists. If you arrive from the south, you’ll cross the River Tilt by a bridge built in 1823, or the railway bridge that came forty years later. Before the 1823 road was built, though, the road north crossed the river further upstream and the ran further up the hillside. Much of its route survives and the site of the village Blair Atholl replaced is known as Old Blair. Now, of course, the 19th century road and railway are themselves bypassed by the new A9 that appeared in the 1980s.
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Edinburgh’s northern suburb of Leith has been ranked the 4th ‘coolest neighbourhood’ in the world by Time Out magazine. The area of Leith was Scotland’s main port for trade, with huge ships sailing in and out brimming with products and goods such as wool, wine, raw materials and spices. Once a burgh in its own right, following a forced merger with the City of Edinburgh in the 1920s, Leith is now a hugely successful part of the larger city.
The neighbourhood still retains its strong identity and heritage and has reinvented itself. Made famous by Irvine Welsh, Ewan McGregor and co in the film Trainspotting, Leith has two Michelin-starred restaurants, a variety of great bars and a strong sense of unique local identity as the driving force behind Leith’s resurgence. As well as the picturesque shore, there are wide open green spaces. The first recorded rules of golf were said to have been set down in 1744 by players at Leith Links.
A new lease of life
Time Out said: “Once Scotland’s main trade port, Leith’s connection to industry stretches back centuries. Today, however, the north Edinburgh neighbourhood is better known as a cultural hotspot, home to big arts institutions and up-and-coming businesses alike. In recent years, several buildings have been given a new lease of life, including long-abandoned Leith Theatre and the nearby Biscuit Factory, which houses more than 30 creative businesses and its own performance space. The Leith Arches, meanwhile, is a two-tiered pub and events space on the old Caledonian Leith Line – complete with rotating food vendors, a programme of wellness events and the always-excellent Bross Bagels.”
The area slowly began to shed its industrial past and embrace a modern and hip feel, and today visitors to Leith can find delights from unique shops to a diverse range of cafés, restaurants and bars. Edinburgh’s exciting new waterfront development also includes Ocean Terminal shopping centre which includes the award-winning Royal Yacht Britannia add to make Leith one of the coolest neighbourhoods in the world.
Daniel Radcliffe, Emma Watson and Rupert Grint. Photo: Freshwater 2006/Wikimedia Commons.
This month marks the 20th anniversary of the release of Harry Potter and the Philosopher’s Stone, the first of ten in the hugely successful film franchise. The magic of Harry Potter began in Scotland, from the first books being written in Edinburgh to its stunning backdrops being used to create scenes in the films, as Nick Drainey explains.
It was 20 years ago this month that three 11-year-olds took to the red carpet in London’s Leicester Square along with celebrities such as Cher, Sting, Richard Branson, Cate Blanchett and the princesses Beatrice and Eugenie. Daniel Radcliffe, Emma Watson and Rupert Grint, about to become better known as Harry Potter, Hermione Grainger and Ron Weasley, looked star-struck and slightly shy as they chatted to the crowds, signed autographs and posed for media pictures. This was the world premiere of Harry Potter and the Philosopher’s Stone – known as Harry Potter and the Sorcerer’s Stone in the US – the movie adaptation of the first of the series of seven books by JK Rowling about the boy wizard and his school pals and first of eight films faithfully following the adventures made by Warner Bros.
If the books were already a sensation – Ms Rowling was working on the fifth instalment, Harry Potter and the Order of the Phoenix, at the time the film was released – the films were about to magnify that several fold. By the time of the premiere, the film had already broken box office records by taking the biggest advance bookings for a movie release. It went on make $974 million at the box office worldwide with its first run and more than $1 billion with re-releases. It became the highest-grossing film of 2001 and the second-highest-grossing film at the time, was critically acclaimed and won a host of awards. It was a vindication for Rowling who had insisted on the cast being British or Irish rather than American and who had worked closely on the script, keeping it faithful to the book.
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National Trust for Scotland archaeologists have started uncovering the secrets of Scotland’s whisky history in an excavation at the old site of The Glenlivet Distillery, one of Scotland’s first whisky distilleries to become licensed after the 1823 Excise Act. The dig at the site of Upper Drumin, in Speyside, which is one kilometre upslope from the modern distillery has so far uncovered the floor of the old site, which dates from 1824. This is where The Glenlivet’s founder, George Smith, risked life and liberty to produce his single malt whisky. He became the first illicit producer to get his licence. Fragments of bottle glass and ceramics believed to have been involved in whisky production were also found.
Whisky history
Map from 1869 showing the old site of The Glenlivet Distillery.
Investigations which began in October are being carried out as part of the Pioneering Spirit project – a partnership between conservation charity the National Trust for Scotland and The Glenlivet, the original Speyside single malt whisky, to uncover and share the history and impact that whisky production has had on Scotland’s cultural heritage and our modern way of life. The old site was originally a farm, converted to whisky production site by George Smith in response to the 1823 Excise Act, which made licenced production of whisky possible. Before then, Smith, like many others in communities across Scotland – including Speyside and the Highlands – made the spirit illegally, smuggling their produce to customers. Apart from the remains of two of the old mill dams, nothing survives above ground of the distillery. The site, which is on Crown Estate Scotland land, is marked by an inscribed monument marking its important role in whisky history.
Derek Alexander, the National Trust for Scotland’s Head of Archaeology, has a long association with the location and conducted a survey of the distillery remains in the 1990s. He said: “Returning to this place after nearly 25 years to finally uncover the remains of this special place is really inspiring. Brushing dirt from the flagstones where George Smith, one of the lead figures of Scotland’s whisky industry, stood was incredible. What’s really interesting is that this is where the illicit production of whisky, which is what we find evidence of on our National Trust for Scotland sites, and the transition towards larger scale industrial production meet; a formative part of the whisky industry becoming one of Scotland’s biggest and most successful. It’s such a powerful part of our national story and identity, which is loved and recognised, at home and around the globe.”
Alan Winchester, The Glenlivet’s Master Distiller said: “I have always been fascinated by The Glenlivet’s rich history, so to be entering the second year of our partnership with the National Trust for Scotland is a delight. The majority of my career has been spent continuing the legacy of our founder George Smith, so it’s really interesting to have the opportunity to uncover even more secrets about our illicit past and tell new stories about the role Scotch has played in defining Scottish culture.”
Volunteers including staff from The Glenlivet and members of the local community took part in the dig, with the support of the Crown Estate Scotland Ranger Service, as part of the Highland Archaeology Festival.
Main photo: National Trust for Scotland Head of Archaeology Derek Alexander and Alan Winchester, The Glenlivet’s Master Distiller say cheers as they uncover the old site of The Glenlivet Distillery. Photo: Alison White.
Did you know?
Image showing The Glenlivet Distillery and the old site on the hill behind.
-Commenced in August 2020, Pioneering Spirit is a 3-year partnership between the National Trust for Scotland, the charity that for 90 years has protected Scotland’s most loved places and The Glenlivet, the original Speyside single malt whisky, which aims to uncover and share the history and impact of whisky production across Scotland.
-The project is the first of its kind and will see archaeologists carry out field work across the Highlands to reveal the impact of whisky distilling on Scottish history.
-Created by George Smith in 1824, The Glenlivet is the Original Speyside Single Malt, renowned for its heritage as a visionary within the single malt category.
-The Glenlivet has contributed the biggest volume growth of the single malt category worldwide, adding more than any other single malt whisky brand over the past five years.
– The Glenlivet is dedicated to continuing this legacy. Standout initiatives include the release of The Glenlivet Code, a mystery single malt, and the creation of The Glenlivet Founder’s Reserve, a great representation of the distillery’s signature style.
In the run up to COP26, the UN Climate Change Conference, Glasgow City Council has launched its ‘Greenprint for Investment’, a portfolio of investment projects designed to give a significant boost to the city’s target to reach Net-Zero by 2030. In June, the city announced that it had reduced its carbon emissions by 41% since 2006, surpassing the 30% target Glasgow set for 2020. The scale and diversity of the projects reflects and supports Glasgow’s global sustainability ambitions and provides international and activist investors with a mix of decarbonising and transformative development opportunities as well as more traditional robust, investor-ready propositions.
Councillor Susan Aitken, Leader of Glasgow City Council said: “Glasgow is ready to meet the challenges of the climate emergency head on, addressing long-standing social, economic and environmental challenges around fuel poverty, poor connectivity and community blight whilst meeting our climate targets. Our Net-Zero future is about safer communities, warm and efficient homes, sustainable jobs and a prosperous economy. Transition has to be about the social and economic well-being of Glasgow and its people. This will require levels of investment never seen before in local government and adaptation plans which will be vital in delivering a modern, resilient and inclusive city economy. A core element of Glasgow’s Green Deal our ‘Greenprint’ brings together transformational, investable and shovel-ready projects. From an entire new transport system better connecting citizens to opportunities, generating renewable energy from the River Clyde and upgrading hundreds of thousands of homes across our city region, the Greenprint projects will deliver the infrastructure necessary for a low carbon, climate-resilient future. All cities face huge change. Glasgow’s challenges are typical of those of so many of our global peers. As cities rebuild to decarbonise, we can be the demonstrator in shaping those solutions. The success of COP26 will be measured by how cities can take the practical steps necessary to secure the future of our planet. Our Greenprint provides a major part of our roadmap to doing just that.”
Projects include scaling up the Clyde Climate Forest by 9,000 hectares, a Glasgow Metro connecting the city region, a city-wide retrofit programme to make all homes energy efficient and provide new clean energy sources, and a proposal to power district heating systems using the River Clyde – all of which will contribute to Scotland’s target reduction targets and Charing Cross M8 Green Infrastructure Cap which plans to revitalise and re-green the city’s public realm including a cap over a major interchange of the M8, the busiest motorway in Scotland.
The 19th annual Scottish North American Community Conference (SNACC) will once again be taking place virtually, over the weekend of December 10 – 12th. The conference looks to build upon the greater audience joining in 2020, encouraging and hoping that you will add your voice to the conversation. The Conference, organized by founders the Chicago Scots and American Scottish Foundation together with the Detroit St Andrews Society, COSCA (Council of Scottish Clans & Associations), CASSOC (Clans and Scottish Societies of Canada) and the Centre for Scottish Studies at the University of Guelph, are developing a three-day program under the title of ‘Expressions of Scottishness”-Exploring the Full Dimensions of Scotland’s Engagement with North America in 2021.
Raise awareness of Scotland and Scottish culture
The Conference is an opportunity for those in the Scottish North American community to share views, values, experiences and best practices. The conference aims to raise awareness of Scotland and Scottish culture; to develop a better understanding of the roles, objectives and operations of the various government, academic, non-profit and private sector organizations that operate in the Scottish-North American community and to identify opportunities to enhance communication and collaboration within the community.
The days focus on various areas relating to the question the conference poses: Friday afternoon focuses upon genealogy and developments around research of one’s Scottish roots.
Saturday turns to the expression of arts, heritage, and culture today. How the way we engage has changed and is developing – from fashion, to museum and heritage site installations to highland games
Sunday will turn once again to Scotland and hearing of plans for 2022 from leading organizers and organizations. We will hear of plans developing around the Year of Scotland’s Stories, the continuing celebration of the 250th anniversary of Sir Walter Scott, the 75th anniversary of the Edinburgh Festival and the new focus around “Responsible Tourism”.
The Conference will be delivered online on Zoom and will feature prominent guest presenters from Scotland and the Scottish North American community.
The Scottish Banner speaks to Rab Shields and Stephen Clarke, The Kilted Coaches
The Kilted Coaches are Stephen Clarke and Rab Shields, two Scottish friends based in Perth with a passion for health, happiness, positivity and the wellbeing of the body and mind. The Kilted Coaches have amassed a huge following on social media and their videos have been seen by millions of people. The Kilted Coaches now have a new book out and took the time to speak to the Scottish Banner on their love of Scotland, health, and kilts.
For those that do not know can you tell us just what The Kilted Coaches do and how you both came together?
Coach Rab: Stephen and I have known each other since our paper round days and grew up not far from each other in Fife. We knew of each other for years and as fate would have it our jobs took us both to St Andrews working in the hotel industry. We both ended up moving to Perth as personal trainers and caught up again here and became good friends. In 2014 we both became fathers and ended up having a long lunch and discussing ideas of how we can help people with their fitness goals and established an online business. We viewed that in the fitness industry many people were making themselves unwell in their quest for wellness. People were just taking things far too seriously and getting so super healthy they could not sustain it. We were trying to create a balance between health and happiness, by doing what you can with exercise and improving your nutrition, but also balancing it with a night off and not beating yourself up if you fall off the wagon. It really is a relaxed philosophy for serious results.
You run an online program where people can work from home on their physical, mental health and nutrition. How has this format succeeded during lockdown with so many with time at home?
Coach Stephen: We were already geared up for people being at home before the pandemic hit. We view your wellness being fitness, nutrition, and mindset. There are a lot of great programs out there but the common denominator in all programs is you and what works for you. During the lockdown it was interesting as we would have clients who previously had great results and put in great efforts but during lockdown they may not have been as successful as their mindset was different. If you can get someone fired up and motivated and understand their problems directly, with whatever they are dealing with in life, it allows them to adhere themselves to any program more efficiently. During lockdown people have been dealing with a great deal of stress and anxiety and our approach appeared to work quite well in helping people. The benefit of exercise is well documented, and it really can have a positive impact on people’s lives.
You have said, “Who needs a gym when you’ve got Scotland?” How do you think the incredible scenery of Scotland has helped you get your message out to so many people?
Coach Rab: This all began when we said you don’t need a membership to a fancy gym to get fit. You can either have a space in your home or use outdoor space to reach your health goals. A lot of people are interested in Scotland just now. Shows like Outlander have certainly helped and for people who are not from here they probably enjoy the scenery the most when they get here. People often visualize themselves in a Scottish environment and imagine themselves walking through the heather and amongst the hills we have. Our videos take in some great parts of Scotland, and we have no doubt the backdrop of Scotland helps make them popular and enjoyable to watch.
Congratulations on your new book The Kilted Coaches: How to stick to the damn plan, can you tell us about the book and what it feels like to add authors to your list of achievements?
Coach Stephen: The book is basically the written content of what we have been putting out online. We took some of our key videos and wrote it out for book format. We know not everyone watches our YouTube videos but they may be interested in the book, so for us this is also a different way to get our message out. We have kept the book quite conversational, like our videos. We have tried to take a relaxed approach and add some humour to the book as we do not want to come across as preachy. There are other books like this where people preach to their readers but that is not our method. When it came to the writing we wanted it to be conversational and for someone to pick it up and feel like they are down the pub with their mates discussing a concept. We have one chapter which is ‘Don’t let your flaws define you’ and was done very conversationally and hopefully when people read it, they do not feel threatened or preached at. The book really is a cross between a self-help book and a coffee table book, it just happens to have two guys in kilts running around the Highlands!
Scottishness is synonymous with tartan and kilts. You have said putting kilts on helped you both be yourselves and show who you really are. Can you tell us more about your love of kilts?
Coach Rab: In the early days we just were not being ourselves and trying to be too clean cut and straight down the line. Somebody said you can’t get away from the fact you are Scottish, so like we talk about in Chapter One of our book, is really being yourself in HD (high definition). This is basically being yourself but a bigger version of you. We thought we obviously can’t get away from being Scottish and we in fact loved wearing our kilts and began to do it our way. Once we put on our kilts, each video we have shot has been done in just one take 99% of the time. The kilts have brought in this natural element of who we are and now we just roll with it.
Historically we mainly wear our kilts to weddings and events and whenever you put your kilt on it was to go and have fun. Whenever we put our kilts on, we always know we are having fun because of the feeling that overcomes you. In a way wearing a kilt is like a superhero suit, we often say you can say what you want when you have a kilt on, meaning you’re not shy to get your point across.
Kilts have really become part of your brand and you have even got your very own The Kilted Coaches Tartan, can you tell how the tartan came about and how proud you are to be able to wear that today?
Coach Stephen: Kilts are just so comfortable to wear, and we started off wearing the Royal Stewart tartan, we chose this as we had different family tartans and wanted a uniform approach. Rab is Clan Duncan and I have Clan Kerr on my side. We always wanted a tartan that is ours and we just recently launched The Kilted Coaches Tartan and worked with a kiltmaker in Scotland to get it designed. Our tartan does pay homage to the Royal Stewart, but we worked in more of a maroon colour, changed the sett and made it our own.
Your videos and new book mention The Viking Mindset, can you tell us more?
Coach Stephen: The Viking Mindset basically gets people back to their Viking roots. Scots used to go through a great deal of hardship and that made them tougher, for example people had no choice but to embrace the cold. Today we can come home from work and there is food there if I need it, we have entertainment at our fingertips and we can be warm in minutes. The Viking Mindset pays homage to the idea that you can toughen yourself up by taking away some of the comforts that constantly surround us today. Sometimes you don’t know what life will throw at you and it is about being prepared for things regardless of what comes your way. We also use cold therapy such as jumping into a cold loch to reawaken the body and I love a loch swim. Sometimes you need to get comfortable being uncomfortable and challenging your limits, that really is what the Viking Mindset means.
You recently got to work with Joanna Lumley, what was it like to be able to show Scotland off to one of the UK’s biggest stars? Some may be interested to know Joanna in fact has Scottish roots, did she share much of her love of Scotland with you?
Coach Rab: They say don’t meet with your hero’s and we were a bit nervous to meet her, however if every hero was like her, I would say meet with hero’s. She is even better than we thought she was going to be, and we thought she would be amazing. She is half Scottish and loved to chat with us about her roots. Joanna really does love Scotland, and she loves to have a whisky as well. We filmed with her up in Glencoe and it has left such a profound memory for us it is why we went back there and used the image from where we filmed at Glencoe on the cover of the book, to pay homage to her. Joanna was also so kind to provide a quote for our book which is on the cover where she say’s “I never exercise without them.”
And finally, your YouTube channel is filmed in some great places in Scotland. As ambassadorsfor Scotland what areas of the country do you love to visit whether it be for work or your downtime?
Coach Rab: Glencoe would definitely be at the top of the list as it is both eerie but very strikingly beautiful. Anywhere as well with castles we love. We have been going up to Dunnottar Castle recently on the east coast in Aberdeenshire, it is a great spot as there are great walks around and the castle itself is fascinating. Just the way it was built and the incredible views the location offers. Anywhere with a great view we love. Scotland is so blessed with amazing hills, lochs, and history. Here in Perthshire, we have great woodlands and waterfalls to take in as well, so we are so lucky to have that on our doorstep.
In the late 1990’s, in a friend’s holiday villa in Estepona in southern Spain, John Morgan was flicking through the bookshelf, in search of something to take his imagination when his hand fell upon the paperback Path of the Hero King the second book in Nigel Tranter’ epic trilogy The Bruce. “Tranter’s word-craftsmanship was totally immersing” says John, now Senior Partner of Stirling 1314 LLP, producers of two of the worlds’ most luxurious chess sets.
“His ability to use dialogue to bring heroes and villains to life, turned a history lesson into gripping adventure, and an uninterrupted read, cover to cover. So much so, that when I arrived back at Glasgow Airport, I went straight to WH Smith newsagent, where I bagged volumes one and three – books I finished with equal dedication and pleasure. The rest, as they say, is history.”
The story that changed history
Neil Oliver TV Presenter and Historian pictured at the site where the actual battle of Bannockburn happened on the edge of Stirling.
The following year, that experience took a different turn for the Morgan’s, one that is about to take on a new life this month as Stirling 1314, seeks to relaunch their two luxury offerings – the Battle of Bannockburn and the Robert Burns Chess Sets. We caught up with John as he was filming blog content for their new Chess Set website in the Globe Inn, Dumfries, the favoured haunt of Robert Burns in the latter part of his life. Sitting in the very chair adopted by Robert Burns when he frequented the Inn, John was quick to point out, “I have earned the right to sit in Burns’ chair having have paid the mandatory forfeit – ‘a recitation of Burns – or buy a drink for everyone in the house’. I would gladly pay a small ransom to share this chair with his memory, but I love nothing more than reciting Burns, and a few verses of Tam O’ Shanter were payment in full”
As he moved the crafted, pewter pieces across the stunning metal chess board, John reflected on the early beginnings of their Scottish chess set adventure. “In the late 90’s, my wife Morag and I had Cornerstone Gallery and Gift Shop in Dunblane”, said John, “One day, an artisan model-maker, Steve Trickett, breezed in and asked if we would be interested in selling the Fantasy Pewter Chess Set he had modelled. Unlike conventional chess sets, all 32 of Steve’s chess pieces were different, everyone a revelation: from fairies to goblins; knights to castles: and things even more preposterous. I was lost for words but, in that moment, the flame was lit for an even bigger adventure – a Battle of Bannockburn Chess set with 32 different pieces, each one marking a player or place in the story that changed history. When I told Steve what I was thinking, he just looked at me – and I knew he was already on the case!
Believing faithfully in the principle, ‘if you don’t ask…you don’t get’ I plucked up the courage to contact Nigel Tranter, who amazed me by agreeing instantly to being involved and to give his name to the set. He then introduced to us, young Scottish costume historian, Andrew Spratt who went on to provide illustrations in the most minute detail, of the style and heraldry of every character, right down the shape of a belt buckle or the hinges in a suit of armour.
Over the next two years, the four of us created a simply remarkable chess set. Sadly, neither Nigel nor Steve are with us any longer, Nigel passing in 2000 and Steve in 2016, only months after completing the last figure on the Robert Burns Chess Set. In the case of Bannockburn, Nigel’s endorsement of the set has been inherited by Scottish television historian and writer Neil Oliver, retaining for the Battle of Bannockburn Chess Set the gravitas with which it was born. It was remarkable to know them both and an extra privilege to know Nigel, not only as a brilliant writer, but as a complete gentleman and a true friend. Which is why our 700th Anniversary Edition is dedicated to his memory.”
The Robert Burns Chess Set
John Cairney.
The Robert Burns Chess Set, endorsed by actor, writer, raconteur and Burns legend, John Cairney, was a challenge of a different kind for Stirling 1314, as more a tale of ordinary folk and their fantasies within the culture of 18th century Scotland. Where else would you find Witches and Warlocks blended with the simplicity of love, honour, and a deadly twist of humour? John has been Chairman of his own Old Manor Burns Club of Bridge of Allan for the last 40 years, and one of the 37 members of the Robert Burns Federation Guild of Speakers. So, it was no surprise that his next move was to create the stunning Robert Burns Chess Set.
“My original inspiration was unquestionably Nigel Tranter” says John, “But the pen of Robert Burns and his mark on the life of all rue Scots, had a quite different influence on my life. As much in his life as in works, there is love and treachery, inspiration, and hypocrisy, all of it now encapsulated in beautifully crafted chess pieces. As though to complete a circle of sorts, Robert Burns features in both sides: predictably, as the King in the light side but, in irony, as a dark knight in his noted role as Exciseman.”
Says John with perceptible pride, “For me, the crowning glory of this fabulous set is the chess board. It is so stunning I am often tempted to hang it on the wall! The squares are cast in pewter, with a different quotation for each light square, individually etched in the style of Burns’ handwriting. An interesting twist to any chess match would be to have to recite a few lines from the poem your piece lands on. But maybe that’s for another day!”
There are no plans yet to develop a third chess set. As John noted, “Bannockburn was epic in every sense – scale and national significance first and last, whereas, by dint of his incredible life and outstanding variety of work, you could do a second Robert Burns set and still have characters left over. But I think we’ve got enough to be going on with for now…”
Minnawarra Park in the heart of Armadale was transformed into a wee bit of Scotland in October when around 20,000 people enjoyed the Scottish-themed Armadale Highland Gathering and Perth Kilt Run. Every year, the City of Armadale celebrates all things Scottish at the City’s unique family friendly event which attracts Scottish and non-Scottish festival goers from across the state.
City of Armadale Mayor Ruth Butterfield said: “It was fantastic to see such a large and enthusiastic crowd enjoying the many Scottish-themed events at the Armadale Highland Gathering from the massed pipe band procession to the address to the haggis, Scotty dog agility demonstrations and traditional heavy events. This year, even with the threat of terrible weather, we had our highest number of participants in the Perth Kilt Run bringing us a step closer to vying for the world record attempt. It was great to see so many people, including families, dressing up for the run. A personal highlight was seeing the imaginative entries for the Loch Mess Monster Upcycle Schools Challenge. This is the City’s community arts initiative aimed at engaging local schools in a creative recycling project as part of our Armadale Highland Gathering and I’m delighted to announce the winners of the challenge were Armadale Primary School for the Primary School Loch Mess Monster Award, Salvado Catholic College for the Secondary School Loch Mess Monster Award, and Armadale Primary School was also awarded the People’s Choice Award.”
The largest Scottish-themed event in Western Australia
Mayor Butterfield continued: “Following the Perth Kilt Run, festival goers experienced Scottish arts and crafts, highland dancing and pipe band competitions, amongst a range of other events such as the medieval fair and the opportunity to delve into Scottish heritage at the clan village, and a variety of performances of live music and Ceilidh dancing. The Armadale Highland Gathering and the Perth Kilt Run is steered by a dedicated committee of volunteers who help to present the different areas to create the largest Scottish-themed event in Western Australia. It’s terrific to see the dedication and hard work of the volunteers rewarded by such a successful day. On behalf of the City, I warmly thank the members of the committee who freely gave their time in the lead up to help organise this tremendous event as well as volunteers, suppliers, competitors and those who came along. It was a fantastic day.”
Those that attended the event can share their thoughts and ideas on what was great and what could be better, and also go in the draw to win a $200 visa gift card by completing the City’s event survey at: www.perthkiltrun.com.au.
The Pipes of Christmas Virtual Concert, produced by The Clan Currie Society / The Learned Kindred of Currie, has been nominated for an award in the prestigious MG ALBA Scots Trad Music Awards (Na Trads) 2021.
The Learned Kindred is nominated in the ‘Trad Music in the Media’ category, sponsored by Sabhal Mòr Ostaig (University of the Highlands and Islands).
Contribution to Scotland’s culture
Arthur Cormack, Chief Executive of Fèisean nan Gàidheal, the overall sponsors of the 2021 event said: “Fèisean nan Gàidheal believes in recognising the significant contribution to our culture of some of our most celebrated performers and we are delighted to once again support the Traditional Music Hall of Fame.”
Traditional Celtic music for a worldwide audience
Despite the challenges of hosting the Pipes of Christmas during last year’s global pandemic, the Learned Kindred of Currie, building on over two decades of producing live concerts, seized the chance to create a new virtual Celtic experience for a worldwide audience.
This exciting virtual format, took the Learned Kindred to some of Scotland’s most beautiful and historic settings to create new and evocative material – a celebration of Scotland’s heritage.
Among them were the Isle of Skye, Glasgow, and Dornoch Cathedrals and the Isle of South Uist, such an important place in the Currie family history. The result was a musical journey through Scotland emphasizing the beauty and culture of Scotland.
Learned Kindred of Currie
The Learned Kindred of Currie is a not-for-profit organisation that supports young people in education in Scotland, Canada and the United States. It plays an active role in the preservation of Scotland’s Highland heritage.
Robert (Bob) Currie producer of the Pipes of Christmas and Commander of the Name and Arms of Currie said of the nomination: “I was proud to have the opportunity to produce the 2020 concert and was delighted to hear of our nomination in what is a very strong category.
“While traditional Celtic music has always played an important part in my life, the Learned Kindred’s production of what was the 22nd annual Pipes of Christmas concert was particularly significant and satisfying.”
“Despite the very difficult conditions we wanted to be bold and innovative, to create beautiful music for people to enjoy at such a special time of year.”
“It was an opportunity to bring together a group of talented musicians, technicians and others to work on what is a joyous video production, especially during a time when live gigs were few and far between. Their dedication, expertise and good humour made it all possible.”
“The positive reaction from our audience, old friends and many new friends, to the presentation was especially rewarding to everybody involved in the process.”
Voting for the MG Alba Scots Trad Music Awards 2021 closes on Sunday 14 November at midnight.
If you would like to vote for the Pipes of Christmas you can do so here. https://www.surveymonkey.co.uk/r/Tradsvoting2021. The Pipes nomination can be found under category 12 – (more than one vote is believe to be allowed).
The results will be announced on 4 December, live at Glasgow’s Engine Works. Viewers will be able to watch on BBC Alba and other platforms.
Conservation charity the National Trust for Scotland has revealed an ambitious 100-year plan to transform 81 hectares of Dumfries and Galloway countryside into rich natural habitats once again. The Threave Landscape Restoration Project will transform land at Kelton Mains, part of the charity’s Threave Estate in Dumfries and Galloway, through a century-spanning plan to restore native wetlands and woodlands in the area.
Amongst the first steps is ‘undraining’ the land, allowing the River Dee and its floodplain to revert to more natural flow patterns and enabling the wetlands, for which the area is so well-known to re-establish, and expanding the habitats available for a wide range of native and migrant waterfowl, and many other species too.
Native woodland species
Another key focus for 2021 is reintroducing native woodland species, with the ultimate ambition to create a 30-hectare native woodland on the site, through planting and woodland regeneration methods. We will also be exploring how livestock can be managed in new ways to balance agricultural production with nature recovery.
Dr Sam Gallacher, Dumfries and Galloway Operations Manager for the National Trust for Scotland said: “We’ve been building up research on how we do this at Threave since 2017, working with experts in woodlands, grasslands and wetlands. Studying holistically the whole site, we have put together both an immediate and long-term plan to help kickstart and support natural processes, but also use this site as a massive experiment to help us find best practice and methods that we hope will be useful and inspire others in similar settings whether in Scotland or further afield. It will be an exciting experience for our visitors and members to learn and engage with landscape restoration in action and showcase the work our charity does to protect Scotland’s natural heritage.”
The path network around the site will also be improved, giving better visitor access. Public outreach to visitors and community to discuss further the project and its long-term benefits is now underway.
Regular updates on the progress of the project will be posted online at www.nts.org.uk.
Michael Yellowlees, from Perthshire, Scotland, is walking across Canada with his Alaskan Husky Luna, to raise awareness and money for Trees for Life, a Scottish charity whose aim is to restore the Caledonian forests. The Scottish Banner spoke to Michael while he was taking a much-deserved rest in Quebec as he prepares to finish his epic 5,000 mile (8,000 kms) journey in Newfoundland on the Atlantic coast of Canada.
Michael you left British Columbia on the west coast back in March to raise money for Trees for Life by walking across Canada. Can you tell us why you chose this incredible journey to take place in the 2nd largest country in the world?
MY: One of the reasons is the wilderness in Canada, it is that wilderness we have lost in Scotland. Scotland used to be hugely forested with a variety of different wildlife. A lot of the landscape in Scotland, especially in the north-west, is very barren from an ecology basis. Though the Highlands are very beautiful it is so sad to see such an absence of woodland and wildlife.
This is also part of the story of Scotland. People from the land were sent over in ships to places like Canada, America and Australia and this then also ties in with the history of Scotland and hopefully encouraging Canadian Scots to look at their ancestral home.
Also being a climate issue, I wanted to let Canadians know how precious what they have is and encourage them to look after it.
Can you tell us more about Trees for Life and why they are so special to you?
MY: Scotland is home to me. I am from Dunkeld in Perthshire which is known as the gateway to the Highlands. Trees for Life have been working on projects to restore the Caledonian Forest from coast to coast. Much of the Highlands has no trees and Trees for Life is looking to rewild those once wild spaces in Scotland.
This deforestation has been a lengthy process and there are a lot of different lands involved. It really started with the building of the British Empire and a lot of shipbuilding. Many things were made with Scottish timber. There was also the Industrial Revolution and two World Wars which put a strain on Scotland’s natural environment.
I would love to see the Caledonian Forest restored and for natural life to be brought back to the land I love so much.
The famous Proclaimers song talks about ‘If I could walk 500 miles’, but you are in fact walking 5,000. What type of preparation have you had to put in and what has been the most challenging part of the trip so far?
MY: I am a very avid walker and had done major walks before. I have walked across Spain and India before, so I have already done seriously long-distance walks. There was not a lot of preparation as I have always kept myself relatively fit. Physically your body kind of gets used to it and adapts. It was probably more of the mental aspect I needed to prepare for and adapting to being on the road.
You talk about The Proclaimers, they also did a song called Letter From America and that song funnily enough is the inspiration for the walk itself. There is a line which goes “I’ve looked at the ocean tried hard to imagine. The way you felt the day you sailed from Wester Ross to Nova Scotia” and song also talks about returning home and has really inspired me to do this.
What has the reaction been by everyday Canadians as you have walked by in your kilt and with Luna?
MY: The reactions to Luna have been instant and incredible. It has also been great to speak to so many Canadians with Scottish ties. So many have come up to me and said they are proud of what I am doing for their homeland, it has been really beautiful. So many people have been so hospitable with offers of a bed, food and support and just so kind.
You are undertaking this epic voyage with Luna, your beautiful dog. How has it been to haveLuna by your side and what extra precautions have been necessary to factor Luna in on the walk.
MY: Luna has been a massive superstar through all this and has been my rock. She is very much part of my pack family, and she keeps me going. She encourages me to get up and get moving and is like my very own personal trainer. Luna gets up and is ready to go every day and licks me in the face in the morning to tell me to get going and has been fantastic to have by my side. In regard to precautions there has not been too much as long as she is well rested and happy. If she needs a rest, we take them and I always look out for her health and happiness.
Luna is in fact a Canadian dog and I got her when I worked in the Rockies and at the end of my job I was allowed to keep her and she has been with me since.
Can you tell us how you have been able to connect with the local Canadian Scottish communities on your travels and has that inspired you to keep going?
MY: The story has kind of got out as I move eastwards of what I am doing, and Scottish groups have reached out and come out to meet me. I have been met by Scottish groups in places like Ottawa, Montreal and small towns and it has been really beautiful. It has also been surreal as I have walked alone for long periods on the road and suddenly have a pipe band play and people come out and cheer me on is something I will never forget for the rest of my life. It has been so special to connect with so many Canadian Scots.
And finally Michael, you plan to reach Newfoundland in November, just as the UN Climate Change Conference of the Parties (COP26) wraps up in Glasgow. What message would you send to the leaders attending the conference and do you wish they could walk those 5,000 miles in your shoes?
MY: I really challenge them and for all of us to get up and do something. A lot of people out there really care about the environment, and I encourage them to get out there and have your voice heard. We are at the front line of a battle, and we all need to be doing our part. We can still all stand up and work against the climate crisis and biodiversity loss.
A woman whose compassion led her to set up the country’s first animal hospice is now concerned that too many dying humans lack the love and care they deserve. Some years ago Alexis Fleming was bedridden with a severe chronic illness and wanted to end her own life – but thanks to her beloved dog Maggie, she made it through. Maggie died two years later of lung cancer on a vet’s operating table and Alexis founded the Maggie Fleming Animal Hospice, based near Kirkcudbright, so that other animals would not die alone and in distress. She also set up its sister project the Karass Sanctuary for Farmed Animals.
Loved, safe, secure and cared for
Alexis’ days are long and demanding – feeding, medicating, exercising and cleaning so that the dogs, cats, cockerels (including a magnificent bird named Adam Jones), sheep, cattle and even turkeys are comfortable, happy and (for the sick) pain free. Much of the idea is to make them feel loved, safe, secure and cared for. With one collie that had spent much of its life chained to a post (losing most of its teeth trying to chew through the metal) her ambition is that for even just a little while it can feel like “the best wee dog in the world”. The story is told in her book No Life Too Small which Alexis recently discussed at the Wigtown Book Festival in Scotland’s National Book Town. But already a new chapter is unfolding. She says: “A lot of people are facing death alone and one of the things I’m interested in is doing for them the equivalent for what I do for animals. Just visiting people in their own homes, talking to them, perhaps helping them feel more comfortable and at ease.”
A good death is possible
It’s something Alexis feels is sadly lacking in contemporary society where we fail to face death or grief very effectively. The idea is in its early stages, and something she is considering offering locally, but it comes from a conviction that a good death is possible, one where anxieties have been addressed, old wounds healed and the end can come without fear. She said: “The more I have done this with animals, the more I realise I want to do this with other humans – it’s having a connection with someone and that’s the key.” These are feelings closely related to Alexis’ own experiences of desperation and the battle she faced to make it through.
And in the meantime people are already benefiting from her work – turning up and enjoying time with the creatures on her 4.5 acres of land. She says: “There are a few folk who have just left their phone at the door and gone up on the hillside to sit in a field – for a bit of sheep therapy.” Many of the farm animals are on palliative care. Some have been passed to her by farming families who took sympathy on them including “lambs that were born blind, or a bit wonky or just not put together quite properly”.
The Presiding Officer of the Scottish Parliament Alison Johnstone MSP escorts Her Majesty The Queen.
Her Majesty The Queen attended the Official Opening to mark the Sixth Session of the Scottish Parliament in Edinburgh on Saturday October 2nd, joined for the occasion by Their Royal Highnesses The Duke and Duchess of Rothesay. The Opening Ceremony is a tradition started in 1999 to mark the beginning of every new session of the Scottish Parliament. This year’s ceremony paid tribute to ‘local heroes’ chosen from across Scotland for the part they have played during the pandemic and their communities both locally and nationally.
This was the first time Her Majesty the Queen has attended the opening of parliament without her husband Prince Phillip, who died earlier this year. Her Majesty, 95, said as she addressed the parliament chamber: “I have spoken before of my deep and abiding affection for this wonderful country and of the many happy memories Prince Philip and I always held of our time here. It is often said that it is the people that make a place and there are few places where this is truer than it is in Scotland, as we have seen in recent times.”
The Crown of Scotland
The Crown of Scotland carried by the Duke of Hamilton and Brandon.
The Crown of Scotland was featured at the Opening Ceremony of the Sixth Session of the Scottish Parliament. The Crown of Scotland was received by the Duke of Hamilton and Brandon at Edinburgh Castle. It was then proceeded to the Scottish Parliament accompanied by Pipes and Drums of The Royal Highland Fusiliers (2 SCOTS). The Crown of Scotland was carried by the Duke of Hamilton and Brandon, and was escorted into the courtyard of Queensberry House by the Lord Lyon King of Arms, Officers of Arms, the Royal Company of Archers. The Crown is part of the Honours of Scotland or the Scottish Regalia.
The other pieces are the Sword of State and the Sceptre. In early January 1540, with the imminent coronation of his new queen, Marie de Guise, King James V ordered that the Crown of Scotland, in a damaged and broken condition, was to be remodelled. From the Restoration of Charles II in 1660 to the Treaty of Union in 1707, the Honours were brought down from Edinburgh Castle with great ceremony and taken to Parliament House on the Royal Mile adjacent to St Giles’ Cathedral for the state opening of Parliament. The Riding of Parliament as we know it today is thought to originate from this ceremony, though it has its origins in the 15th century, if not earlier.
This elaborate procession from Edinburgh Castle down the Royal Mile to Parliament became known as the Riding of Parliament. It has been reinstated since the opening of the new Scottish Parliament in 1999. The ‘riding’ in 1999 was one of the largest ceremonial events in modern Scottish history. The Sword of State and the Sceptre are no longer in regular Royal ceremonial use.
First Minister Nicola Sturgeon addressing the chamber. Photo: Andrew Cowan/Scottish Parliament.
From phantom pipers to cursed castles, Historic Environment Scotland uncovers stories of Scotland’s haunted homes this Halloween.
As it’s Halloween, Historic Environment Scotland (HES) thought they would share some spooky tales attributed to some castles in their care. Before we begin, it’s worth remembering that ghost stories are – well, just that – stories! HES can account for historical dates and records, but not the ghosties. These are speculated spooks. Still, if you fancy a chilling read to celebrate 31 October in style, read on…
The Curse of Cardoness Castle
Cardoness Castle is a 15th century tower house in Galloway. The land was first inhabited by the Cardoness family and then, in the late 15th Century, McCulloch lairds built the current Cardoness Castle. There are rumours of a curse which afflicted those that dwelt on the land. A curse that that led each family to tragedy, eventual ruin or even death. Accounts tell that the Laird of Cardoness had nine daughters, but he wished for a son. He threatened his wife that unless she produced one, he would drown her and all her nine daughters in the Black Loch (nice, huh?). A male heir was indeed born and to celebrate, Laird Cardoness suggested that a party should be held on the frozen loch, because that sounds safe.
All the family assembled except one daughter. With the revels in full swing, the ice gave way, and everyone tragically plunged to their death in the dark frozen waters. The absent daughter married one of the McCulloch clan who would then build and inhabit the castle. The McCullochs made good use of their highly defendable castle but were involved in a lengthy and bloody feud with their neighbours. They frequently encountered troubles and spells of financial hardship and ruin. Could both these unfortunate tales be linked to the reputed jinx? If a curse isn’t enough, there has also been alleged reports of apparitions, including that of a ghostly lady…
Dunstaffnage Castle and the Lady in Green
The second of our (allegedly) haunted homes is Dunstaffnage Castle in Argyll and Bute. This dates back to the 13th century, making it one of Scotland’s oldest stone castles. It was the mighty stronghold of the MacDougalls, built on a huge rock above the Firth of Lorn.
Notable figures from Scottish history are connected to the castle including Flora MacDonald, who was held there in 1746 before being sent to the Tower of London for aiding Bonnie Prince Charlie’s escape. Like many castles, it has a long and exceptionally violent past, besieged and rebuilt many times. Legend has it that the castle is haunted by a lady in green known as “Ell-maid of Dunstaffnage”, reputedly seen on the ramparts at times of peril. If she smiles then the outcome will be good, but if she weeps, trouble lies ahead for the castles owners.
Edinburgh Castle and the spooky troubadours
Edinburgh’s castle rock has been occupied since the late Bronze Age, but the buildings of the present castle date from the 12th to 21st centuries. Edinburgh Castle is reputed to be one of the most haunted spots in Scotland! Some have reported stories of a phantom piper, a headless drummer and even the ghost of wandering dog. What a musical motley crew, wonder what their band name is?
Have you had any spooky experiences in Scotland?Share your story with us! Do you have any comments from the content in this month’s edition? Share your story with us by email, post, social media or at: www.scottishbanner.com/contact-us
Main photo: The Green Lady of Dunstaffnage Castle.
Stakeholders and community members from across Dumfries and its surrounding areas have met to discuss the potential of Dumfries applying for City Status as part of Her Majesty the Queen’s Platinum Jubilee next year. Dumfries has previously applied for city status in 2011 and key requirements include having a distinct identity, civic pride, cultural infrastructure, interesting heritage, history and traditions, vibrant and welcoming community, and associations with Royalty.
South Scotland MSP Emma Harper said: “Dumfries, and our surrounding areas, has a rich culture, history and civic pride. This is an exciting opportunity for Dumfries to be the First City in Scotland when people head north. Through our connections to Robert Burns, J.M Barrie, Moat Brae and Peter Pan and Robert the Bruce, the Theatre Royal, the Crichton Estate and Calvin Harris our fantastic community events like the Big Burns Supper and Guid Neighbours, as well as our Universities and College, we meet the required criteria for City Status and more. We also have abundant green spaces in Dock Park, Heathhall Forest, King George IV Park and the Crichton Gardens, to name a few. We are surrounded by forestry, cycling and active travel infrastructure and these fantastic historical, cultural and environmental assets deserve the recognition and benefits that City Status can bring.”
Several towns across the UK will be granted city status ahead of the Platinum Jubilee in 2022 and the application deadline is December 8th. The bid is now being considered by Dumfries and Galloway Council.
A new student-led exhibition will explore 200 years of suspicions and actions that fueled the myths we associate with witchcraft today. Toil & Trouble: Witchcraft in Scotland will examine the dark history of witchcraft in the country, particularly from the 16th to 18th centuries. The recently launched online exhibition has been curated by MLitt Museum Studies students at the University of Aberdeen. Drawing on the University’s rich collections, it will take virtual visitors on a journey of discovery examining aspects of early modern Scotland in an attempt to bring understanding to why witchcraft accusations were so rife at this time.
Objects ranging from a 17th century handbook for hunting a witch written by a king to devices used to punish the accused to more innocuous items thought to bring good luck will be used to consider the broader aspects of the subject, which has long fascinated the public imagination. The impact of gendered violence and oppression, the perceived difference between magic and medicine and the role of the church and religion will be introduced through the curation. As part of the MLitt Museum Studies the students select the topic, select items for display and work on every aspect of the exhibition from delivery to promotion.
The mysteries of witchcraft is Scotland
Caitlin Jamison, who worked on the interpretation for the exhibition, said: “I loved the process of delving into the mysteries of witchcraft is Scotland. In writing the content for this online exhibition, my classmates and I have tried to shape how people understand this important topic. Magic, medicine and religion collide in a way that still has resonance today, which makes it so fascinating to explore.”
Lisette Turner, part of the Design and Marketing curatorial team added: “It was important to me to be able to convey the other sides of witchcraft through its history. People often have preconceived notions of haggard women on broomsticks or hexing their neighbours. There is so much more depth to the topic than that. We wanted to change that visual representation with this exhibition and focus more on the naturalistic side of the craft and how often it was that ‘common’ women found themselves in trouble when thought to have toiled in anything seen as unholy.”
Photo: This Glaswegian woodcut block print depicts a scene from the famous narrative poem, Tam o’ Shanter, written by Robert Burns in 1791. In the poem, drunken farmer Tam, happens upon a meeting of witches and the Devil in the local haunted church and the ensuing chaos.
In their hundreds, they once chuffed and puffed their way along the mighty River Clyde, as well as many other canals and waterways of the west coast of Scotland. Before the advent of diesel power, it was steamboats that ruled the water, carrying cargo and passengers to remote communities and scenic holiday spots. And it was fitting that the area became home to so many steamers – while there were several inventors and engineers around the world working on the idea of putting Scotsman James Watt’s steam engine to work in boats, it was in Scotland that key developments were made in an industry that was to transform the world.
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The southernmost Celtic festival on the U.S. continent will be held at Marathon Community Park January 7-9, 2022 (Friday-Sunday), in the heart of the Florida Keys. Attendance has more than doubled since the festival’s inception and the organizers are excited to accommodate even larger crowds.
The festival begins Friday evening with a “Kilts in the Keys Party” at The Dockside, Boot Key Harbor. Musical group West of Galway entertains from 5pm-7pm with a guest appearance by Police Pipe and Drums of Florida. There will be door prizes and raffles, plus plentiful ale, spirits and other refreshments.
Something for everyone
Blue Sky Pipes and Drums.
The main event takes place at Marathon Community Park. Saturday times are 10am – 8pm, Sunday times are 11am – 5pm. Festivities include musical performances from world-renowned musical groups Albannach, Screaming Orphans, West of Galway, and Byrne Brothers. An international contingent, the “Ladies of the Keys Celtic Festival”, will compete in sanctioned Highlands athletics, while the Official Florida Keys Haggis Hurling Championship will be open to all. Also returning will be a sheep herding demonstration.
Police Pipe and Drum of Florida will be joined by Blue Skye Pipe & Drums, the world’s only all-female pipe band. Other features include Irish and Scottish dancing, authentic Celtic food, beer, vendors, parade, a Clan Call, Irish Tea Garden, Children’s Glen, “for the wee ones”, and Celtic merchandise. Organizers promise that there is literally “something for everyone”.
Bring the Clan!
Sunday morning at 10am Church service on the festival grounds led by Rev. Debra McConaughey St. Columba Episcopal Church produces the Florida Keys Celtic Festival in cooperation with Monroe County Tourist Development Council, and Florida based entertainer producer Celtic Heritage LLC. Tickets are $10 per day or $15 for a two-day pass, children 12 and under are free. Tickets are available at www.KeysTix.com.
Tickets may also be purchased at St. Columba Episcopal Church, through website www.floridakeyscelticfestival.com or by calling 305-743-6412. Proceeds for the event support the Hammock House, an outreach of St. Columba Episcopal Church, featuring free after-school programs and summer camps, providing continuing education and nutrition.
Crowd funding appeal to build three community owned houses on the remote Isle of Canna.
The tiny community of 15 on the Isle of Canna is appealing for donations to help complete the funding package to build three community owned houses. The aim is to gradually increase the population of Canna to around 30 but currently there are no available empty houses on the island to enable the population to grow. The Isle of Canna Community Development Trust (IoCCDT) has launched a crowd funding appeal to complete the £750,000 total of funding required to build the houses. The community has to raise £200,000 as their contribution to the overall cost.
The houses will be managed and owned by the community; they will be warm, energy efficient and let at affordable rents.The island’s owner, the National Trust for Scotland, have released the land needed for this development. It is planned to start building these 3 new community owned houses inspring 2022 so that Canna can welcome its new residents later in 2022.
Geraldine Mackinnon, Chair of the Isle of Canna Community Development Trust, said: “The Isle of Canna Community may be small but we are always up for any challenge that will help us create a sustainable future for our island. We have a positive track record with previous projects and hope everyone will come on board and help us make our Community Housing a reality.”
The Small Isles archipelago
The Isle of Canna is the westernmost of the Small Isles archipelago, in the Scottish Inner Hebrides. It is owned by the National Trust for Scotland and is a two-hour ferry journey from Mallaig. The current number of permanent residents on Canna is 15. This housing project is a major step toward their eventual aim of having 30 people on Canna. Canna is home to the award-winning Cafe Canna, is renowned for its safe harbour, a wealth of wildlife and a vibrant community. The IoCCDT was set up in 2013 to enable sustainable development and manage community assets. Since 2013, IoCCDT has successfully set up a community shop, community moorings, an all-tides road to enable Sanday residents vehicular access at all times and an integrated renewable energy project.
The IoCCDT has worked with the Community Housing Trust to develop the current housing project and funding is available from the Scottish Government’s Rural Housing Fund and a range of trusts and foundations.Building on islands increases costs by an estimated 30-40% and the tiny population of Canna needs to raise enough money to fill the funding gap for houses that are essential to its sustainable future.
The IoCCDT’s development plan for the island’s future include the renovation and development of Coroghon Barn and the creation of a Visitor Hub to provide for the over 10 – 15,000 visitors every year. With these ambitious plans there is a need for more people on Canna to help make this future a reality. There are several other employment and self-employment opportunities on the island including staff for existing businesses and new business start-ups.
Audio-visual installation explores the environment and eco-system that is home to one of Scotland’s rarest birds of prey.
Osprey chick. Photo: John Wallace.
One of Scotland’s rarest birds of prey, and the ecosystems that allow it to maintain its fragile presence in Scotland, are the focus of a new video art installation. A year in the landscape of the Threave ospreys was recently screened at Kelton Mains Farm, one of the handful of places where these magnificent hunters can be easily viewed by the public in Scotland today.
Video artist and filmmaker John Wallace has spent a year exploring the landscape and waterways around Threave, in Dumfries and Galloway, where the conditions are right for ospreys to survive and breed when they arrive annually from West Africa.
The project is part of Artful Migration which supports artists to create work informed by wildlife, the natural world, the environment and climate change. Among the compelling images in John’s work is a close-up of a young osprey’s eye. It was taken when the un-fledged birds were being ringed for study purposes.
John, who is based in the region, said: “What’s fascinated me is how much has to be in place when the birds arrive in Scotland from Africa each March. There’s a huge and diverse system of flora and fauna that changes during every season and creates the right conditions for them. With this work what I’m trying to do is to dig into this one place where they breed and rear young and show it across the year, including when they’re far away. The story of how these birds were able to re-establish in the area is also notable. They were spotted in the area, a nest platform was built to get them started, and sure enough a pair moved in – or rather back into a landscape they were always part of until they were wiped out 100 years ago.”
Majestic ospreys
The multi-screen installation, which recently played at the National Trust for Scotland’s (NTS) Threave Nature Reserve, coincides with the start of the conservation charity’s 100-year Threave Landscape Restoration Project to improve habitats and make the area at Kelton Mains more resilient to climate change.
John added: “As top predators, osprey catch the large fish, but the big fish need small fish to feed on and the small fish need their own conditions to thrive and so on. This has to happen all along their migration path, so you just have to hope the ecosystems in all those stopping places will be able to cope with continuing climate change. Hats off to the NTS that they’re already doing work to help that happen here.”
Film-maker John Wallace at work in the River Dee on the Threave Castle estate. Photo: Colin Hattersley Photography.
The art project has involved getting very close to nature, with John spending substantial amounts of time wading in the River Dee and neck deep in vegetation and biting insects.
He said: “It’s Scotland, but in summer it really is a jungle out there! Getting the kit and myself into position can be tricky, you get a wee bit warm you know, but it’s been a real gift being able to work at all during COVID. I’m so lucky to have had the support and a huge thanks for keeping a light on for the arts.”
Dr Samuel Gallacher, NTS Operations Manager for Threave Castle and Estate, added: “We are very pleased to be involved in this incredible project which showcases Threave and all the reasons why it is loved by so many, so powerfully. It’s very fitting timing as we’re just embarking on our 100-year project to restore this landscape and make it even better for the many species, including the majestic ospreys which visit us each summer.”
Sir Alexander Archibald Douglas Hope, OBE, 19th Bt of Craighall.
Normally one might expect to read of a clan chieftain living in a stately manor somewhere in Scotland. Perhaps doing a bit of fishing and hunting or delving in company directorships in the realms of establishment and industry enterprises. Happily, the chieftain of Clan hope of Craighall decided to be a little more creative in his pursuits than just those careers and pastimes. So, if you are unaware of who the Clan Chieftain of Clan Hope of Craighall is this extract from a article on Double Negative (DNEG) the business he co-founded in 1996 might help shed some light.
Rise of DNEG
Alex Hope (3rd from left) and Matt Holben with DNEG’s Academy Award winners.
As film production in the UK ramped up, so too did competition among visual effects studios, many of which happened to be located in the Soho area of London. DNEG Co-founder Alex Hope says the focus in those earlier years was to not only help grow DNEG as a business and as a creative enterprise, but also the local industry as a whole.
“One of our primary aims was to get the visual effects industry in the UK on the map,” recalls Hope. “Through that period, the Harry Potter films started being made, and we first became involved on Prisoner of Azkaban, released in 2004. Those films, and the commitment of Warner Bros. Everyone associated with those films to want them to be done in the UK gave confidence to British visual effects companies, and gave confidence to Double Negative – that we could invest in training and R&D and capital expenditure and build our business.”
Another cornerstone relationship that DNEG cultivated was with Christopher Nolan, first working with the director on Batman Begins and then several others DNEG also quickly became one of the major contributors to other large franchises such as The Hunger Games series, Bond films, the DC Extended Universe and the Marvel Cinematic Universe. For that to happen, DNEG had to grow – quickly and creatively – not only in London but around the world. The studio now has locations in London, Vancouver, Mumbai, Los Angeles, Chennai and Montréal.
Oscars
DNEG has proved its metal in the competitive creative area of VFX production winning multiple awards for its work on a diverse range of feature films and television productions including Academy Awards (Oscars) for: Inception, Interstellar, Ex Machina, Blade Runner 2049, Dunkirk, First Man and Tenet.
After 22 years Sir Alex left DNEG in early 2020 to take time away from the industry. He’s now involved in some new ventures in the entertainment industry looking to launch in late 2021 and 2022. Sir Alex also serves as Vice Chair of ScreenSkills the UK’s industry led skills body for the screen industry. Clan Hope of Craighall Society looks forward to hearing more about their chieftain’s future business ventures and successes.
You can find out more about DNEG at : www.dneg.com and also about Clan Hope of Craighall Society at: www.clanhope.org
Main photo: DNEG Co-founders Matt Holben (left) and Sir Alex Hope.
