The Scottish Banner speaks to Deacon Blue’s Ricky Ross
Glasgow band Deacon Blue are celebrating 40 years of incredible music with an upcoming tour to Australia and New Zealand. Deacon Blue’s Ricky Ross spoke to the Scottish Banner on 40 years of the band, their new album and just what audiences can expect with the upcoming tour.
Deacon Blue is celebrating 40 years of incredible music. Can you tell us how the band formed and could any of you have ever considered the band would still be playing to audiences around the world four decades later?
RR: We have a kind of floating anniversary, because Dougie the drummer and myself got together for the first-time round in 1985 and over the course of time, over the next year and a half, everyone else came in. We started recording late 86 and put out our first record in 1987, so it’s one of these things that took a little while to get together and then once we started the recording with that first record in 1987, and the second one in 1989, we just kind of hit the road and did a lot of live shows. It was not until 1989 that we came to Australia, and oddly enough we never came back until 2019 and then came back two years ago again. As we have come back over these last two tours, the audience has grown enormously, and it’s been really exciting to see.
I think the second part to the question is easy to answer, we could not have even considered it back then.

Deacon Blue formed in Glasgow in 1985 during a time some incredible Scottish bands were on the scene such as Texas, Simple Minds and Hue and Cry. What was it like to be making music at such a golden age for Scottish music?
RR: It certainly was an exciting time, lots of people were putting bands together then. People were coming up from London to see the Scottish bands. People were making records, sometimes independent records, getting money to make more expensive records and going abroad to record. There was a lot of exciting things happening back then and musicians were getting a chance to work in different environments, and there were good studios to work in as well which was great.
When you were in a studio you bumped into other musicians as well, so it felt like Glasgow was a great place for music. You mention Simple Minds, we didn’t know them. They were above our station at the time, they were just zooming ahead and had become huge and played Live Aid in America and that kind of stuff. They were definitely an inspiration for us. And I think the big inspiration at the time was that bands like Simple Minds didn’t always go down to London, they made people come to see them. And that was the mantra we had that we would not go anywhere and would let people come and see us in Scotland. And that’s kind of what happened and that’s how we got started.
Deacon Blue is synonymous with the city of Glasgow where you signed your first record deal from a car bonnet on the banks of the Clyde. What is it about Glasgow do you love and how much has the city inspired you creatively?
RR: Glasgow is a unique city and has its own character. As a post-industrial city, it’s got a great humour, it has a kind of humility, but it also has a great warmth. There is also an attitude in Glasgow, it doesn’t look elsewhere for it, it just knows what it is. The city does not try to import culture as there is enough there. There’s a lot of artists, from musicians, painters, theatre, to film makers. There’s a lot of stuff going on in Glasgow, because it’s a big enough city to carry that, and there are a lot of stories to be told.
For me Glasgow is a place where I’ve always written songs and has been a place I have found the stories to write those songs. For example, the song Dignity, the song is set in the south side of Glasgow, and I would look out my window and see council workers walking down the street with brushes and it inspired me to write it. That story and song basically started from looking at the world out the window and then you have a dream.

Some may be interested to hear you were once an English teacher, do you think that background helped you write such great and timeless songs?
RR: No, I think I’ve wrote these songs despite being a teacher. I enjoyed teaching but I was working away in the background on my music. I was growing up in the atmosphere of The Beatles and Bob Dylan and these people that were all song writers. To me song writing was a sexy thing, I had no interest in making videos or dressing up and all of the paraphernalia that surrounds pop music. I had no interest in any of that stuff; I was interested and still am interested in the business of song writing.
How songs kind of seep into your heart and change the way you think and make you want to turn around to go into a different direction. That’s what has always captured me, and I think that’s what I have always tried to chase really.
Deacon Blue have just released their new album The Great Western Road. How does it make you feel to still be able to share with audiences not just iconic classics like Dignity and Real Gone Kid but also the great new music the band is still creating today?
RR: The funny thing is when you start off with a song, sometimes you start off with very little. Then suddenly emerges a whole idea of a record and suddenly a song comes together and before you know it a couple of songs come together. The basis of an album starts to form and it’s lovely just to let that happen, that creative exercise to take its own course. Of course, you just hope it connects with people, you know that basically the audience is yourself. You think if I’m interested in this, then maybe someone else will be.
Then the next audience is the rest of the band, and if they think the songs have some value then maybe the audience does, and it’s as simple as that really. It is lovely when it connects, and I think we’ve had an amazing reaction to the songs on this record from our audience. People tell us they are enjoying this new album and that has been a lovely thing for us.

Australian and New Zealand audiences can join in the Deacon Blue 40th anniversary as you tour in January and February. How much are you looking forward to playing in the Southern Hemisphere and what can audiences expect from the upcoming shows?
RR: Well, we have loved this part of the world, we loved it back in 1989, we loved it in 2019, and we loved it in 2023. As I said before that audience has grown and that’s been really exciting to watch. People can look forward to the songs they know as well as songs from the new record. We try and mix it up a bit, we try to make each night special. Whatever we do one night wouldn’t necessarily be what we do the next night, we try to make that the best night for that audience.
We have just finished a UK tour and that was an exciting time, and a different tour than we’ve done before, but was again a creative one. We are very excited to come over and the whole band looks forward to playing to audiences in Australia and New Zealand.

Deacon Blue tour Perth, Adelaide, Thirroul, Sydney, Melbourne and Brisbane between January 28-February 10. For full information and tickets: www.daltours.cc/deacon-blue
Deacon Blue tour Christchurch, Wellington and Auckland between February 12-15. For full information and tickets: livenation.co.nz.
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